[7]And when they went their way, Jesus began to say to the multitudes concerning John: What went you out into the desert to see? a reed shaken with the wind? [8] But what went you out to see? a man clothed in soft garments? Behold they that are clothed in soft garments, are in the houses of kings. [9] But what went you out to see? a prophet? yea I tell you, and more than a prophet. [10] For this is he of whom it is written: Behold I send my angel before thy face, who shall prepare thy way before thee. [11] Amen I say to you, there hath not risen among them that are born of women a greater than John the Baptist: yet he that is the lesser in the kingdom of heaven is greater than he. [12] And from the days of John the Baptist until now, the kingdom of heaven suffereth violence, and the violent bear it away. [13] For all the prophets and the law prophesied until John: [14] And if you will receive it, he is Elias that is to come. [15] He that hath ears to hear, let him hear. [16] But whereunto shall I esteem this generation to be like? It is like to children sitting in the market place. [17] Who crying to their companions say: We have piped to you, and you have not danced: we have lamented, and you have not mourned. [18] For John came neither eating nor drinking; and they say: He hath a devil. [19] The Son of man came eating and drinking, and they say: Behold a man that is a glutton and a wine drinker, a friend of publicans and sinners. And wisdom is justified by her children. [20] Then began he to upbraid the cities wherein were done the most of his miracles, for that they had not done penance.
Matthew, 11: 7-20, in the Douay Rheims Bible
18. Peeping Tom, sort of but mainly Freud on instincts, pleasure, unpleasure, and scopophilia
23. Marvell's "Upon Appleton House" (briefly) and then "The Unfortunate Lover"
18. Vertigo and Freudian repetition
22. Marvell - The Garden
21. Marvell: Damon the Mower and The Garden
16. Other worlds and other minds in Source Code and Groundhog Day
20. Last class on Herbert: The Forerunners; The Pulley
19. George Herbert: Jordan (I), The Flower, Easter Wings, etc.
15. Source Code
14. Groundhog Day
18. First class on George Herbert
13. Skepticism and Zeno's paradoxes, again
17. 17th century poetry: a class on Robert Herrick
16. 17th c poetry, mainly Jonson's Cary-Morrison Ode
12. Film and Philosophy: Akerman's La Captive
11. Film and Philosophy
15, 17th Century Poetry: Ben Jonson, mainly "The Hourglass"
14. 17th C Poetry: Ben Jonson's songs
10. Film and Philosophy: Berkeley and Beckett's
13. 17th C Poetry: Trinity and then Ben Jonson
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