Once again Adrian Smith returns to the show! This time out we’re discussing (at length) one of Norman J. Warren’s films – INSEMINOID (1981). Probably the most notorious of the director’s horror efforts, it’s very poster art was controversial. The movie brings the idea of an alien creature injecting its offspring into a human host for gestation further into the open than even Ridley Scott’s classic ALIEN (1979) managed. Coupled with that hideous imagery the film also sports the usual Warren leve...
Once again Adrian Smith returns to the show! This time out we’re discussing (at length) one of Norman J. Warren’s films – INSEMINOID (1981). Probably the most notorious of the director’s horror efforts, it’s very poster art was controversial. The movie brings the idea of an alien creature injecting its offspring into a human host for gestation further into the open than even Ridley Scott’s classic ALIEN (1979) managed. Coupled with that hideous imagery the film also sports the usual Warren level of blood and gore making this a nasty little viewing experience even by today’s standards. Newcomers to the film might be surprised to see some well-known actresses plunging elbow deep into the violent sci-fi exploitation pits. You might also be impressed with how much the cast and crew accomplish on such a small budget.
Adrian is the perfect person to talk about this film as he is responsible for the book about the director included in Indicator’s new five film Blu-Ray set ‘Bloody Terror: The Shocking Cinema of Norman J. Warren 1976-1981’. In this informative work he lays out the details of Warren’s horror output giving insight into the troubles British productions run into regularly. Often it seems a minor miracle that any of these lower budgeted movies ever got completed. We mostly restrict our comments to INSEMINOID with a fair amount of detailed conversation about the script’s problems and the ingenious ways the filmmakers found to overcome unforeseen hazards. We also delve into the bizarre additions and changes made to the story in the film’s novelization. Certainly, the choice to shoot mostly on location was a decision that enhanced the look of the film but it was quite hard on the cast. Be aware that we spoil the entire movie as we proceed so, if that’s important to you, please go watch it before listening to us debate its relative merits. Adrian and I have very different views on this one so I think you’ll find it an interesting show. Oh! And we end things with a new version of the classic song Monster Mash and an extra solo bit of Adrian as he amuses himself while I’m away from the mic.
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