Quincy Porter bridges many of the themes we've seen so far in the podcast: he was the last student of nineteenth-century American composer Horatio Parker (who also taught 1947 prize winner Charles Ives), he taught composition at an Ivy League school (Yale, in this case) for many years, and he was celebrated for his orchestral music during his lifetime, but is virtually forgotten today.
From that list, and from our previous episodes on Howard Hanson, Walter Piston, and Douglas Moore, you might think you have a good sense of what Porter's Ivy League New England musical style might be, but are you right? Join us to find out.
For more about Quincy Porter:
1) https://composers.com/composers/quincy-porter
2) https://necmusic.edu/archives/quincy-porter
Episode 36 - 1978: Michael Colgrass, Déjà Vu
Episode 35 - 1977: Richard Wernick, Visions of Terror and Wonder
Episode 34 - 1976: Ned Rorem, Air Music
Episode 33 - 1975: Dominick Argento, From the Diary of Virginia Woolf
Episode 32 - 1974: Donald Martino, Notturno
Episode 31 - 1973: Elliott Carter, String Quartet No. 3
Episode 30 - 1972: Jacob Druckman, Windows
Episode 29 - 1971: Mario Davidovsky, Synchronisms No. 6
Episode 28 - 1970: Charles Wuorinen, Time’s Encomium
Episode 27 - 1969: Karel Husa, String Quartet No. 3
Episode 26 - 1968: George Crumb, Echoes of Time and the River
Episode 25 - 1967: Leon Kirchner, Third String Quartet
Episode 24 - 1966: Leslie Bassett, Variations for Orchestra
Episode 23 - 1965: No Prize (the Pulitzer Hat Trick)
Episode 22 - 1964: No Prize (again)
Episode 21 - 1963: Samuel Barber, Piano Concerto No. 1
Episode 20 - 1962: Robert Ward, The Crucible
Episode 19 - 1961: Walter Piston, Symphony No. 7
Episode 18 - 1960: Elliott Carter, Second String Quartet
Episode 17 - 1959: John La Montaine, Piano Concerto No. 1
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