In this episode, Dave and Andrew explore the first music winner in three years, Leslie Bassett. After two decades of honoring fairly conservative, European-derived pieces and two years of not honoring any pieces of music, what direction will the Pulitzer go in the late 1960s?
If you'd like more information about Leslie Bassett, we recommend:
Stephanie Brunelli's dissertation, The use of the piano in the twentieth-century orchestra: A study of Pulitzer Prize compositions by Copland, Bassett, and Druckman
Episode 33 - 1975: Dominick Argento, From the Diary of Virginia Woolf
Episode 32 - 1974: Donald Martino, Notturno
Episode 31 - 1973: Elliott Carter, String Quartet No. 3
Episode 30 - 1972: Jacob Druckman, Windows
Episode 29 - 1971: Mario Davidovsky, Synchronisms No. 6
Episode 28 - 1970: Charles Wuorinen, Time’s Encomium
Episode 27 - 1969: Karel Husa, String Quartet No. 3
Episode 26 - 1968: George Crumb, Echoes of Time and the River
Episode 25 - 1967: Leon Kirchner, Third String Quartet
Episode 23 - 1965: No Prize (the Pulitzer Hat Trick)
Episode 22 - 1964: No Prize (again)
Episode 21 - 1963: Samuel Barber, Piano Concerto No. 1
Episode 20 - 1962: Robert Ward, The Crucible
Episode 19 - 1961: Walter Piston, Symphony No. 7
Episode 18 - 1960: Elliott Carter, Second String Quartet
Episode 17 - 1959: John La Montaine, Piano Concerto No. 1
Episode 16 - 1958: Samuel Barber, Vanessa
Episode 15 - 1957: Norman Dello Joio, Meditations on Ecclesiastes
Episode 14 - 1956: Ernst Toch, Symphony No. 3
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