What is puppet animation, and are puppets a form of animation? The historical and theoretical implications of fantasy and animation’s relationship to puppet performance are the focus of Footnote #40, with Chris and Alex looking at the defining role of puppets in fantasy’s fête and carnival culture origins; the phantasmagoria of the puppet and the desire to express fantasy through puppetry; links to the earliest stop-motion shorts and rise of motion-capture technologies in an era of virtual puppetry; and whether evolving definitions of animation and its medium specificity are appropriate enough to encompass the volume and diversity of puppet forms.
**Fantasy/Animation theme tune composed by Francisca Araujo**
**As featured on Feedspot’s 25 Best London Education Podcasts**
Grave of the Fireflies (1988) (with Alex Dudok de Wit)
Dark (2017-2020) (with Nicolas Leu)
Space Jam (1996) (with Paul Wells)
Star Wars: The Last Jedi (2017) (with Helen O'Hara)
The Prince of Egypt (1998) (with Francesca Stavrakopoulou)
Flushed Away (2006)
Happy Feet (2006) (with Hannah Hamad)
Inception (2010) (with Todd McGowan)
Captain Marvel (2019) (with Trixter VFX Studio)
Animated Christmas Adverts (1951-2018) (with Malcolm Cook)
James Bond Title Sequences (1962-2015) (with Ed Lamberti) (Part 2)
James Bond Title Sequences (1962-2015) (with Ed Lamberti) (Part 1)
Christopher Robin (2018)
Sherlock Jr. (1924) (with Peter Adamson)
Roobarb (and Custard) (1974) (with Birgitta Hosea)
Rango (2011) (with Neil Brand)
Bright (David Ayer, 2017)
Hugo (2011) (with Eric Smoodin)
Watchmen (2009) (with Drew Morton)
Pan's Labyrinth (2006) (with Deborah Shaw)
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