Episode 102 - Theatre directing during Covid with Marina Zurita, Acadia Barrengos and Mollye Maxner

In this episode we are joined by Marina Zurita, Acadia Barrengos, and Mollye Maxner, talking all things theatre directing. 

Acadia Barrengos is a theatre director hailing from New England. She found her home in directing through molecular genetic study of pregnancy and childbirth poetry and dance which brought her to North Carolina University of the Arts. Inspired by the research and study of epigenetics, Acadia is driven by stories that wrestle with inheritance, and is fascinated by the discovery that we can adapt how our bodies read our DNA coding to evolve through and beyond intergenerational trauma.

Marina Zurita is a theatre director born in Sao Paulo, Brazil, and she likes to think of theatre as a powerful gap between translations, home for lost voices and interpretations. She moved to the USA in 2016, and is currently pursuing a BFA in directing as UNCSA. Living in a foreign location fuelled her passion for anthropological research in linguistics, inspiring her to develop her upcoming project ‘Mother Tongue’, to be performed in the spring of 2022.   

Mollye Maxner is an educator, director, choreographer and maker of original performance work. Her movement theatre work has been performed in the USA, Taiwan, Germany, Georgia, and throughout Turkey. Mollye is on the faculty at UNC school of the Arts, where she is director and co-creator of the studio for creative practice, a laboratory for transdisciplinary art and inquiry.

https://www.acadiabarrengos.com https://www.marinazurita.com 

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Thanks to David Zieher who composed our music.