CRIMEWAVE: Raimi’s Slapstick Noir Disaster | Sam Raimi: The Entertainer

2022-10-25

After the runaway success of THE EVIL DEAD, Sam Raimi and his Michigan crew were given the opportunity to go legit—with real money, a Hollywood cast, and a script co-written by none other than Joel and Ethan Coen. The result? CRIMEWAVE, a screwball noir comedy that was plagued by creative interference, disastrous test screenings, and a studio that ultimately took the film away from its creators. In this episode, we trace the chaotic making — and unmaking — of CRIMEWAVE, the one film Sam Raimi has all but disowned. We’ll also look at how the experience helped shape Raimi’s future collaborations with the Coen Brothers and influenced the creative freedom he fought for going forward.

After the runaway success of THE EVIL DEAD, Sam Raimi and his Michigan crew were given the opportunity to go legit—with real money, a Hollywood cast, and a script co-written by none other than Joel and Ethan Coen.

The result? CRIMEWAVE, a screwball noir comedy that was plagued by creative interference, disastrous test screenings, and a studio that ultimately took the film away from its creators.

In this episode, we trace the chaotic making — and unmaking — of CRIMEWAVE, the one film Sam Raimi has all but disowned. We’ll also look at how the experience helped shape Raimi’s future collaborations with the Coen Brothers and influenced the creative freedom he fought for going forward.

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne, Justin Bishop, and Todd A. Davis.

Episode archives & more: www.cinemashock.net

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