This interview with visual and cultural theorist and practitioner Johanna Drucker by Janneke Adema focuses on Drucker's work as a scholar and practitioner, speculative computing, the difference between aesthesis and mathesis in Humanities knowledge production, and the concept of performative materiality. The interview was conducted on November 16th, 2013, at the Library of Birmingham in Birmingham, UK. For more information about the online, open access journal Culture Machine, visit www.culturemachine.net
-->Recursive Historiographical Work and the Responsibility of the Historian: Adrian Johns
Technogenesis and Media Specific Analysis: N. Katherine Hayles
Software Theory - Federica Frabetti
Life After New Media: Sarah Kember and Joanna Zylinska
Post-Digital Print and Networks of Independent Publishing: Alessandro Ludovico
The Late Age of Print and the Future of Cultural Studies: Ted Striphas
The Politics of Transparency and Secrecy: Mark Fenster
Network Theory and Internet Politics: Geert Lovink
Cultural Criticism and the Digital Humanities: Alan Liu
Hope IV: Peter Osborne (Whitechapel Salon)
Hope III: Chantal Mouffe (Whitechapel Salon)
Hope II: Richard Sennett (Whitechapel Salon)
Hope I: Gayatri Chakravorty Spivak (Whitechapel Salon)
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