LAILA LALAMI reads from THE MOOR’S ACCOUNT

The Moor's Account (Pantheon)

Tonight's reading is part of the Los Angeles/Islam Arts Initiative (LA/IAI).

From the author of Secret Son and Hope and Other Dangerous Pursuits comes  The Moor's Account, the imagined memoirs of the New World's first explorer of African descent, a Moroccan slave known as Estebanico.

In 1527, Panfilo de Narvaez sailed from Spain with a crew of six hundred men, intending to claim for the Spanish crown what is now the Gulf Coast of the United States. But from the moment the expedition reached Florida, it met with ceaseless bad luck--storms, disease, starvation, hostile natives--and within a year there were only four survivors, including the young explorer Andres Dorantes and his slave, Estebanico.

After six years of enslavement by Native Americans, the four men escaped and wandered through what is now Florida, Texas, New Mexico, and Arizona. The Moor's Account brilliantly captures Estebanico's voice and vision, giving us an alternate narrative for this famed expedition. As this dramatic chronicle unfolds, we come to understand that, contrary to popular belief, black men played a significant part in New World exploration, and that Native American men and women were not merely silent witnesses to it. In Laila Lalami's deft hands, Estebanico's memoir illuminates the ways in which stories can transmigrate into history, even as storytelling can offer a chance at redemption and survival.

Praise for The Moor's Account

“A beautiful, rousing tale that would be difficult to believe if it were not actually true. Lalami has once again shown why she is one of her generation’s most gifted writers.” —Reza Aslan, author of Zealot

“¡Qué belleza! Laila Lalami has given us a mesmerizing reimagining of one of the foundational chronicles of exploration of the New World and an indictment of the uncontainable hubris displayed by Spanish explorers—told from the point of view of Estebanillo, an Arab slave and Cabeza de Vaca’s companion in a trek across the United States that is as important as that of Lewis and Clark. The style and voice of sixteenth-century crónicas are turned upside down to subtly undermine our understanding of race and religion, now and then. The Moor’s Account is a worthy stepchild of Don Quixote de la Mancha.”—Ilan Stavans, author of On Borrowed Words: A Memoir of Language and general editor of The Norton Anthology of Latino Literature

“A novel of extraordinary scope, ambition and originality. Laila Lalami has given voice to a man silenced by for five centuries, a voice both convincing and compelling. The Moor’s Account is a work of creativity and compassion, one which demonstrates the full might of Lalami’s talent as a writer.”—Aminatta Forna, the Commonwealth Writers’ Prize and Hurston Prize Legacy Award winning author of The Memory of Love, Ancestor Stones, and The Devil That Danced on the Water

Laila Lalami was born and raised in Morocco. She attended Université Mohammed V in Rabat, University College in London, and the University of Southern California, where she earned a Ph.D. in linguistics. She is the author of the short story collection Hope and Other Dangerous Pursuits, which was a finalist for the Oregon Book Award, and the novel Secret Son, which was on the Orange Prize longlist. Her essays and opinion pieces have appeared in Newsweek, Los Angeles Times, The Washington Post, The Nation, The Guardian, The New York Times, and in numerous anthologies. Her work has been translated into ten languages. She is the recipient of a British Council Fellowship, a Fulbright Fellowship, and a Lannan Foundation Residency Fellowship, and is currently an associate professor of creative writing at the University of California at Riverside.

This reading is a part of the Los Angeles / Islam Arts Initiative (LA/IAI)

Launching this fall, the Los Angeles / Islam Arts Initiative (LA/IAI) brings together nearly 30 cultural institutions throughout Los Angeles to tell various stories of traditional and contemporary art from multiple Islamic regions and their significant global diasporas. LA/IAI is the first-of-its kind, wide-scale citywide initiative on Islamic arts producing and presenting programming such as art exhibitions, panels, discussions, and performances. Anchoring LA/IAI are two connected exhibitions, Doris Duke’s Shangri La: Architecture, Landscape, and Islamic Art and the contemporary art exhibition, Shangri La: Imagined Cities commissioned by the Department of Cultural Affairs (DCA) to be held at DCA’s Los Angeles Municipal Art Gallery (LAMAG) at Barnsdall Park from October 26 to December 28, 2014.

Los Angeles’ substantial populations from areas with strong Islamic roots make LA a compelling location for this initiative. LA/IAI casts a wide net, being inclusive and welcoming, with art as its central focus. The term “Islamic art” includes work created by non-Muslim artists from Muslim-dominant countries, work by Muslims creating art in non-Muslim dominant countries, and work by artists culturally influenced by Islam. Designed to build a greater understanding of the role of Islamic arts, LA/IAI seeks to stimulate the global conversation in connection to cultural, political, and social issues. The celebration of Islamic art and culture is presented by DCA with major support from the Doris Duke Foundation for Islamic Art, the National Endowment for the Arts, the California Community Foundation, the California Institute of the Arts (CalArts), and the Barnsdall Park Foundation.

For more information, please visit:  http://www.laislamarts.org/