It’s a late Sunday afternoon, the sun is shining, and the smell of freshly cut grass (and the inevitable hay fever) is drifting through the studio as I sit down to record this episode. After a whirlwind few months — including seven incredible weeks photographing on Crystal Cruises — it feels good to be back behind the mic, even if I’m a little sniffly.
In this episode, I’m reflecting on the magic of authentic portrait photography, the rapid rise of AI in our world (and our inboxes!), and why the h...
It’s a late Sunday afternoon, the sun is shining, and the smell of freshly cut grass (and the inevitable hay fever) is drifting through the studio as I sit down to record this episode. After a whirlwind few months — including seven incredible weeks photographing on Crystal Cruises — it feels good to be back behind the mic, even if I’m a little sniffly.
In this episode, I’m reflecting on the magic of authentic portrait photography, the rapid rise of AI in our world (and our inboxes!), and why the human touch still matters more than ever. Plus, there’s news about upcoming workshops, a few tech tips for cleaner files and faster edits, and a good-natured rant about AI-generated podcast pitches. As always, it's a mix of stories, laughter, tech, and a reminder to stay creative — and stay human.
Cheers
P.
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If there are any topics, you would like to hear, have questions we could answer or would like to come and be interviewed on the podcast, please contact me at paul@paulwilkinsonphotography.co.uk.
Transcript
Introduction and Podcast Setup
So it's Sunday afternoon, the sun is shining, and here I am late on Sunday recording this podcast and I'm recording it with the smell of freshly cut grass, uh, wafting in through the windows, which is gonna trigger my hay fever one way or another.
Um and also the reason I'm recording it quite so late at this stage of the day. It's 'cause my neighbors have been cutting their grass and they do have the loudest petrol mower in the world. I'm Paul, and assuming I can get through this without sneezing, this is the Mastering Portrait Photography 📍 podcast.
Now, there is a lot going on at the moment. It is really good to be back. And of course, those of you who have been over the years, regular listeners will know this has been quite a long gap.
Recent Adventures on Crystal Cruises
And the reason for that, as I may or may not have alluded to before we went away was Sarah and I spent seven weeks working for Crystal Cruises, working on onboard ship as a portrait, uh, photographer.
It is one of the best gigs in the world. I get to travel all over and this time around we were traveling around South America from Valparaiso in Chile all the way around the southern tip through re, which is just stunning. In Argentina over to the Falkland Islands, and then up through Brazil, across the Cape Verde and then finishing up in of all places, uh, grand Canaria.
It has been an incredible experience from start to finish, photographing the most amazing people I photographed. Interesting, funny, erudite professionals, creatives, musicians, authors. Oh, you name it, we did it. It was. An absolute, uh, blast. But of course that seven week gap has meant we've come back and life is incredibly busy here now two, and there's an awful lot going on at the moment.
Upcoming Workshops and Studio Updates
Tomorrow I'm doing one of my favorite things, which is to run a one-on-one workshop, which is part of an annual mentoring, uh, program. We run this program, um, for photographers, for portrait photographers. I should be clear, I dunno very much about landscaping at all. Uh, but certainly for portrait photographers.
And over the ki the course of a year, we set some targets, uh, and then work steadily towards 'em, and I absolutely love it. Honestly. I always come across, I always come outta these, uh, sessions buzzing with energy and ideas. Probably as many as our delegates do as well. So I'm really, really looking forward to that.
The studio is all clean and tidy, Sarah and myself. Painted it. We donned our overalls, um, and spent an entire day cleaning it all out and painting the white wall white. Again. It hasn't been done for a little bit. It. And for some reason this time round I've managed to pick the right white. I know that sounds kind of ob obtuse, um, but there are lots of different tones of white and this particular one is almost exactly, uh, the same as the ISO standard for a reference white, which is really nice.
So all of the images now have this really lovely clean look. I dunno what I picked last time, it clearly wasn't quite the right white or I didn't note at the time, but this white is perfect. So I have the reference numbers, if anyone's curious. I can tell you what it is and it seems to work really, uh, really well.
And if that wasn't enough of all the things that are going on, we've also released a whole stack of new dates and a couple of brand new titles for our workshops, which I will share with you at the. End of this podcast, if you fancy, uh, joining one of those. Uh, and alongside everything else we've been photographing with the hearing dogs.
We've been photographing with all sorts of commercial clients. Um, the diary is absolutely solid and somehow today I've had to squeeze in and find the time to sit and clear my head and figure out the planning for our upcoming bootcamp, which has been on the diary for a little bit. Now, it isn't a new workshop though.
This is the first time we've run it, so I'm having to figure out exactly. What that's gonna look like. Two days of intensive portrait chat, technique and practice. Um, all about portrait photography. But we have over two days the time to spend really exploring different ideas. And of course we have the evening in between the two days when if people wanna put some of what we've gone through into practice or start to shape what we'll do the next day, we have the opportunity to do it.
It's absolutely packed. We've got people coming from all over, all over Europe for that one. Uh, which I'm really excited about. I think there might be one place available. Gome, I should have gone and looked, uh, to see if that've gone, but I think there's a place available if anyone fancies it. It's on the 12th and 13th.
12th, can't even say it. 12th and 13th of May, and it's going to be a blast. So if you fancy that, I think there's, uh, a date available. Again, I'll give you, uh, details of where to find those things at the end. Anyway. Here's a question for you.
AI in Photography: Tools and Trends
Has anyone else noticed a steady stream of emails lately that sound human, but simply because you get so many, you just know they can't be.
There's something about not just the email, but the number of them that I get that all have a very similar wording. I mean, maybe it's just me. Maybe it's because of this very podcast. Um, and I get a lot of emails, a lot of agencies and things offering me the opportunity. Here's the opportunity to have a guest that I'd never heard of, um, on the podcast.
And there's something about the way that these emails feel that a suspiciously well. Polished. So the question is this the future now? I mean, AI is brilliant for certain things. Evoto, for instance, is mind blowing. I love this application. Um, it's a retouching suite. It's from Singapore, a team in Singapore, and it's as close as I've seen yet to having.
Real craft finished retouched portraits. It is getting that good. It's not quite there. There's still a lot to be said for the hand finishing the final touches, the little bits and pieces, tune in the colors and the little things that I. Probably AI will never get because it's all down to you and you alone.
So AI will do the bulk of it, but when it comes to your personal little taste, your little tweaks, maybe it won't get there, but it certainly gets you 90% of the way there. I'm playing right now with the beta version five, and it is impressive to put it mildly. It is really, really, really good. Um, similar vein, you know, uh, in terms of.
Uh, prepping files. I love PureRAW5 from DXO optics. Um, it's just this plugin in Lightroom. I don't use an awful lot of its power, I suspect, but it's great when I have a slightly dirty file, something where maybe the noise has come up a little bit or I'm having trouble, maybe it's just, I dunno. There's something where it isn't quite right. It's very, very good for giving you beautifully clean files with no pin cushioning, no aberrations. Really nice, really nice if you like, a lovely clean file. So that's worth checking it out. I don't know, actually if, uh, PureRAW5 is yet in its public release.
Um. Uh, I'm a, I'm on the beta list, so I get to see it a little bit early, but as soon as it comes out, I suggest you get a hold of a, of a trial copy and have a play. And then of course, on top of that, if there wasn't enough AI floating around with, um, competitors. Adobe themselves, the king of the crop, the, the, the big, the biggest, uh, I guess the biggest name.
In photography, retouching and post-production. Um, Adobe have their own AI magic from generative fill to those ridiculously good subject and sky selection tools, which are probably the best thing about all of the ai as far as I'm concerned. The ability to hit select subject and there is, and of course, the remove tool for getting rid of people that you don't want in the background.
All of these things are saving hours on editing, and it's a joy, particularly if you keep a control of it. And you get it to do what you want it to do, but, and this is a big, but it's there to assist, but it doesn't create without me steering it. These emails though. Now you can tell they are AI generated.
Let me read you one. Let me just fix my email. Here it goes. Hey, Paul. It's always a good start. Hey, Paul, listening to your latest episodes really struck a chord, especially as you reflected on judging for the British Institute of Professional Photographers. Your thoughtful musings on stepping down from your role as chair were both insightful and inspiring.
Blah, blah, blah, blah, blah. A visionary storyteller and celebrated director of photography would resonate with your audience's. Love for artistic narratives with an impressive track record working with global brands like Coca-Cola and Microsoft. He brings a wealth of experience in visual storytelling worthy of your podcast, and blah, blah, blah, blah, is not only a celebrated photographer, but also an accomplished musician and digital media artist.
His vibrant Tales from behind the lens, combined with his academic honors from Harvard and the Global Cinema Cinematography Institute would add depth and intrigue to your conversations. What makes blah, blah, blah, blah, an ideal guest. This content connects with a thriving community of 15,000 entrepreneurs, photographers and marketers, eager to explore the captivating world of photograph of photography and digital media.
Let's create something memorable together. Best, blah, blah, blah, blah's team. Now, in and of itself, I think I'd spot that as an um, ai, um, as an AI email. But I've had quite a few of those from different people, different photographers, different teams, different everything. But somehow your classic tale of the Land Rover, your classic tale of photographing on a beach, your classic tale of.
They all have a tone about them that clearly AI can now understand, or at least I say understand. Of course, we're delving into the definitions of intelligence here, but clearly understands what it's saying. It clearly understands it's, it's either listen to the podcast or it's read the transcript or both.
It's come up with some set of lines that make it sound like it's a human writing it, but it's not a human writing it. That's ai. So I've now got AI emails being sent to me to ask me to feature. I'm hoping a real human, though. I'm not going to feature him because he's using AI on my podcast. So should I set up an AI bot?
To respond to the AI bot, and then maybe the AI bot at the other end could schedule the guest. Or maybe an AI guest. And an AI guest. Maybe they could record, script record and publish a podcast that yet more AI will listen to.
The Future of AI and Human Interaction
So the question is, at what point do we stop being involved? Maybe the AI should just talk to itself.
Are we gonna end up in a world where AI is talking to ai? And I suspect the reality is that yes, that is exactly what's going to happen because I today, I could download a chat bot that will respond to all of my emails. So would the email then be responded to by another chat bot responding to the ai?
Maybe the only thing that's gonna listen to the podcast will be ai, and maybe the podcast will all be about having a human context inside ai. But the only things listening to it. Are the AI bots curious? Huh? I wonder where we're gonna end up now. I'm a huge, huge fan of ai. I just, I love what it can do. I love what the future holds.
I have a PhD in it, so you kind of expect that from me. But my thought was always that it would make life easier. Not that it would remove life from the equation, but I'm not quite as certain as I was. Evoto, Imagen, Adobe and a plethora of incredible tools out there are gonna help us as photographers.
They're gonna enable us to do things that actually were not accessible unless you had a cast of thousands, you had models, you had assistants, you had venues. It's gonna allow image creation to a degree. That probably wasn't possible, but having just done three incredibly beautiful portrait shoots with lovely families over this weekend where the emphasis is on the authentic, not the synthetic, on creating reality and documenting it, not creating a fantasy and getting something else to write about it.
I think there's still space for humanity in all of this, but I do think we have to be careful. I do think we have to retain and hold onto the reality and let AI do what AI can do, where it helps us, where it makes things faster, where it makes things more efficient. But let's keep an eye out for these crazy emails and the different things that are just so clearly not real.
Anyway, that's enough of my rant. Sorry. A quick footnote. I mention all sorts of companies while I'm recording these podcasts, but I always make it clear if a company is sponsoring me. None of the companies I've mentioned today are. Uh, I'm not sponsored by DXO. I'm not sponsored, uh, by Imagen I'm not sponsored by Adobe.
They're just the tools that I use. In fact, I pay for the use of all of those tools. Um, but they happen to be incredibly useful. And if any of that has inspired you to pick up your camera and, uh, I always hope. You know, maybe it has, let's go and do something that isn't based around artificial intelligence.
Workshop Announcements and Closing Remarks
Here are the dates I promised you for our up and coming workshop. So there's, uh, five or six of these. Uh, number one, mastering ordinary to ordinary workshop. This is that one where we take a very standard small space and just create some beautiful images in it, to be honest. Uh, whether it's, uh, using strobes, using continuous light that's on the 27th of June.
Uh, this year. Uh, so actually if you're listening to this in a year's time, these are all in 2025. Uh, then there's mastering environment, uh, sorry, mastering Environmental Portraits Workshop, which is on the 18th of July, which is everything you need to tell stories through and using the location. Um, still planning that one out.
I had a brilliant one-on-one recently where we went out into location to a sculptor and to someone on their allotment and just created. Pictures. It was magical. It was beautiful, it was a great experience. But we're just trying to work out how five people, which is the theoretical maximum of the workshop, uh, would be able to do the same.
So, uh, I'll have a plan for that. So that's on the 18th of July. It's gonna be amazing.
Then we've got mastering family photography, workshop one we've worked before. That's a maximum of four delegates in this one because obviously we have families and kids around, so we reduce the numbers. Uh, usually it's five. This one's four. Uh, that's on the 1st of August, 2025. Uh, a load of chaos, basically kids chaos.
What a hoot. Uh, exactly what family photography should be. Uh, then there's mastering dog photography. This is the from shutter to print version, uh, which is on the 12th of September, where we photograph dogs in the morning and then go through the techniques for prepping those files for great prints in the afternoon.
That's one of our most loved it. Always books it really quick. Uh, and then finally of this tranche is the mastering high-key and low key Studio lighting workshop, where this is an extension of one. We've run at the societies very successfully. Um, the society, we've done over a couple of hours. This is for a whole day.
Where we push to the extremes. We go as bright and as high key as we can, and then we swing it the other way and go as dark and as moody as we can. Um, just lighting, talking about lighting composition, talking about the mood, all that kind of thing. That's on the 26th of September, which will take us. To the end of the summer.
Uh, and then we'll have another set, uh, available. So just a quick footnote. Uh, all of the podcasts up until this one have said, go across to paulwilkinsonphotography.co.uk to find details. Those details are on there, but all of the workshops now have moved to masteringportraitphotography.com, along with our mentoring and our workshops and any of the education side.
That's all over on masteringportraitphotography.com, under the Academy section. Uh, so that's, uh, masteringportraitphotography.com. Um, it's all over there. We always said we'd move the education and all of the trainings, mastering portrait photography. Um, and one of the many things I've been doing over the past couple of months is precisely that is shifting all of the workshops and all the bookings across to MPP.
And so there we have it. We have a little bit of sunshine, an awful lot of portraits, some AI musings, and a few workshop announcements thrown in for good measure. It's funny, really, we live this, we live in this incredible time where technology can do and does do so much for us, but I still think the real magic happens when we stay human in the middle of it all. Now, whether that's crafting an image, having a conversation, or just sneezing, you can hear I've got a blocked up nose or just sneezing away through a freshly cut lawn. It's the human bit that matters most.
So if you're interested in joining us for an upcoming bootcamp, as I said, or any of the other workshops, there's still time and we would love to see you there. And that is it for me or from me for today. I. It's time to go and have a glass of wine in the sunshine and pretend that the smell of, of fresh cut glass is actually a fresh cut grass, rather is actually 📍 romantic rather than just mildly annoying.
So thanks as always for being part of this little community. Wherever you are, whatever you're up to, take care, stay creative, and as ever, be kind to yourself. Goodnight.
