A lot of work and thought can go into worldbuilding, but sometimes, you just have to go with what feels right. In this episode, guest Seanan McGuire joins us to explore how writers can make the most of their worldbuilding flow and lean into their personal resonance.
How can writers develop worldbuilding instinct? Why does worldbuilding come easily to some writers but require more conscious effort for others? When should you trust it to its core, and when might you need to temper it with a bit of a double-check?
[Transcript TK]
Our Guest:
Seanan McGuire was born in Martinez, California, and raised in a wide variety of locations, most of which boasted some sort of dangerous native wildlife. Despite her almost magnetic attraction to anything venomous, she somehow managed to survive long enough to acquire a typewriter, a reasonable grasp of the English language, and the desire to combine the two. The fact that she wasn't killed for using her typewriter at three o'clock in the morning is probably more impressive than her lack of death by spider-bite.
Often described as a vortex of the surreal, many of Seanan's anecdotes end with things like "and then we got the anti-venom" or "but it's okay, because it turned out the water wasn't that deep." She has yet to be defeated in a game of "Who here was bitten by the strangest thing?," and can be amused for hours by almost anything. "Almost anything" includes swamps, long walks, long walks in swamps, things that live in swamps, horror movies, strange noises, musical theater, reality TV, comic books, finding pennies on the street, and venomous reptiles. Seanan may be the only person on the planet who admits to using Kenneth Muir's Horror Films of the 1980s as a checklist.
Seanan is the author of the October Daye urban fantasies, the InCryptid urban fantasies, and several other works both stand-alone and in trilogies or duologies. In case that wasn't enough, she also writes under the pseudonym "Mira Grant." For details on her work as Mira, check out MiraGrant.com.
In her spare time, Seanan records CDs of her original filk music (see the Albums page for details). She is also a cartoonist, and draws an irregularly posted autobiographical web comic, "With Friends Like These...", as well as generating a truly ridiculous number of art cards. Surprisingly enough, she finds time to take multi-hour walks, blog regularly, watch a sickening amount of television, maintain her website, and go to pretty much any movie with the words "blood," "night," "terror," or "attack" in the title. Most people believe she doesn't sleep.
Seanan lives in an idiosyncratically designed labyrinth in the Pacific Northwest, which she shares with her cats, Alice and Thomas, a vast collection of creepy dolls and horror movies, and sufficient books to qualify her as a fire hazard. She has strongly-held and oft-expressed beliefs about the origins of the Black Death, the X-Men, and the need for chainsaws in daily life.
Years of writing blurbs for convention program books have fixed Seanan in the habit of writing all her bios in the third person, so as to sound marginally less dorky. Stress is on the "marginally." It probably doesn't help that she has so many hobbies.
Seanan was the winner of the 2010 John W. Campbell Award for Best New Writer, and her novel Feed (as Mira Grant) was named as one of Publishers Weekly's Best Books of 2010. In 2013 she became the first person ever to appear five times on the same Hugo Ballot.
Episode 108: The Myth, The Legend, The Cultural Impacts, ft. EHIGBOR OKOSUN
Episode 107: Livin’ on a Prayer: Religion, Worldview, and the Individual
Episode 106: Lighten Up: Making your World a Little Grin-Dark, ft. M.J. KUHN
Episode 105: We’re Going on an Adventure!
Episode 104: Riffing on the Real World, ft. KAT HOWARD
Episode 103: Worldbuilding - It Builds Character, ft. KRITIKA H. RAO
Episode 102: Side Dishes and Second Helpings: Serving Up Some Food Culture, ft CHANA PORTER
Episode 101: All About the Zhuzh
Episode 100: The Game is Afoot! ft. CATE OSBORN, ANDREW NOME, and SHARANG BISWAS
Episode 99: Connect the Dots
Episode 98: Mysterious Worlds, ft. ANDREA STEWART
Episode 97: Perfect Pairing - Intersectionality and Worldbuilding, ft SUYI DAVIES OKUNGBOWA
Episode 96: The Big Blue World: Oceanic Worldbuilding, ft DARCIE LITTLE BADGER
Episode 95: Building and Bending Gender, ft. G.R. MACALLISTER
Episode 94: Natural and Supernatural Disasters
Episode 93: Queries and Quandaries
Episode 92: Ringing in the New Year
Episode 91: Making the Incredible Credible, ft. CHARLAINE HARRIS
Episode 90: The Editor’s Take ft. BRIT HVIDE
Episode 89: Stealing the Best Parts of History, ft. LAURA ANNE GILMAN
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