Jordan Daniel Wood Delineates David Bentley Hart’s Muddled Critiqe

Jordan Daniel Wood lays out two possible understandings of David Hart's critique of his work on Maximus. He locates the central issue in Hart's depiction of nature, in which Hart would locate divinity but in which he would turn to the Person of Christ as uniting the natural and divine. Jonathan suggests that Bernard Lonergan's approach, dropping focus on nature but looking to human desire, may be a mediating understanding.

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