What is so special about special effects? What role does technological innovation play in their convincing construction of illusion? What distinguishes ‘special’ from ‘visual’ effects? In this Footnote episode, Chris and Alex play with ideas of special effects in relation to fantasy and animation, going back to early cinema and the animated fantasies (or fantastical animations) of Georges Méliès to think about the history of pro-filmic illusions captured on camera; practical vs. digital distinctions in the articulation and realisation of effects imagery; and the growing influence of post-production processes in the era of computer graphics.
**Fantasy/Animation theme tune composed by Francisca Araujo**
**As featured on Feedspot’s 25 Best London Education Podcasts**
Persepolis (2007)
Beetlejuice (1988) (with Jingan Young)
Princess Mononoke (1997) (with Rayna Denison)
(Bonus) Q&A with Graham Humphreys (Live from Portsmouth Bookfest)
Waterworld (1995) (with Simon Brew)
Bedknobs and Broomsticks (1971)
Aladdin (2019) (with Myles Robey)
Hercules (1997) (with Edith Hall)
The Emperor's New Groove (2000) (with Astrid Goldsmith)
Dungeons & Dragons (1983-1985)
Wizards (1977) (Live @ Cinema Museum)
Brazil (1985) (with Hope Dickson Leach)
BoJack Horseman (2014-2020)
Harry Potter and the Philosopher’s Stone (2001) (with Frances Pheasant-Kelly)
The Adventures of Prince Achmed (1926) (with Caroline Ruddell - Live @ Cinema Museum)
Star Wars: The Force Awakens (2015) (with Becca Harrison)
The Muppet Christmas Carol (1992) (with Meredith Braun)
Mary Poppins Returns (2018) (with Christian Kaestner and Frederikke Glick)
Ex Machina (2014) (with Andrew Whitehurst)
The Valley of Gwangi (1969) (with Astrid Goldsmith)
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