As we move further into the 1950s, we're entering the doldrums of the Pulitzer Prizes, where few winners have entered the repertoire. Gail Kubik was a phenomenon in his day, writing equally well for the concert hall and the movie theatre. His Symphony Concertante began life as a film score before he extracted themes to craft this work featuring viola, trumpet, and piano. So why have you never heard of the work or, most likely its creator?
If you'd like to learn more about Kubik, we recommend:
Episode 36 - 1978: Michael Colgrass, Déjà Vu
Episode 35 - 1977: Richard Wernick, Visions of Terror and Wonder
Episode 34 - 1976: Ned Rorem, Air Music
Episode 33 - 1975: Dominick Argento, From the Diary of Virginia Woolf
Episode 32 - 1974: Donald Martino, Notturno
Episode 31 - 1973: Elliott Carter, String Quartet No. 3
Episode 30 - 1972: Jacob Druckman, Windows
Episode 29 - 1971: Mario Davidovsky, Synchronisms No. 6
Episode 28 - 1970: Charles Wuorinen, Time’s Encomium
Episode 27 - 1969: Karel Husa, String Quartet No. 3
Episode 26 - 1968: George Crumb, Echoes of Time and the River
Episode 25 - 1967: Leon Kirchner, Third String Quartet
Episode 24 - 1966: Leslie Bassett, Variations for Orchestra
Episode 23 - 1965: No Prize (the Pulitzer Hat Trick)
Episode 22 - 1964: No Prize (again)
Episode 21 - 1963: Samuel Barber, Piano Concerto No. 1
Episode 20 - 1962: Robert Ward, The Crucible
Episode 19 - 1961: Walter Piston, Symphony No. 7
Episode 18 - 1960: Elliott Carter, Second String Quartet
Episode 17 - 1959: John La Montaine, Piano Concerto No. 1
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