Annie Kwok is the Assistant Head of Performing Arts at Pulteney Grammar School in Adelaide. She's a classroom music teacher, an award-winning composer, a colourful character, and of course, a choir leader.
Expect to learn:
What it’s like to be a LIVING composer (as opposed to a dead one)
Who has “the attention span of an amoeba”
How sol fa helps with key changes
What it means to be a “sympathetic singer”
How to use the audition to get to know your singers, not just to pick your team...
Annie Kwok is the Assistant Head of Performing Arts at Pulteney Grammar School in Adelaide. She's a classroom music teacher, an award-winning composer, a colourful character, and of course, a choir leader.
Expect to learn:
-
What it’s like to be a LIVING composer (as opposed to a dead one)
-
Who has “the attention span of an amoeba”
-
How sol fa helps with key changes
-
What it means to be a “sympathetic singer”
-
How to use the audition to get to know your singers, not just to pick your team
-
How important it is for singers (even adults!) to feel noticed by their choir conductor
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Why it’s important to know what your choristers want, how to make opportunities for that in rehearsals
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What we learned from the Hungarians at the James Cuskelly Summer School
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How Annie gets choral “X-ray vision” and what it takes to unlock this power
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How “evolved” your choristers are, and whether their evolution has stopped…
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What makes Australian choirs different
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And much more...
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