Myths of Rome and the Orient, as well as questions of race and sexuality all play major roles in William Shakespeare’s underrated play, Antony and Cleopatra. It follows the final years of Roman triumvir Mark Antony and Egypt’s queen Cleopatra VII, as they engage in affairs, neglect their imperial duties, and wage war against Octavius Caesar (Augustus). In ArtiFact 57, authors Laura Woods, Alex Sheremet, and Keith Jackewicz discuss Antony & Cleopatra through the lens of Roman history, key aspects of Sha...
Myths of Rome and the Orient, as well as questions of race and sexuality all play major roles in William Shakespeare’s underrated play, Antony and Cleopatra. It follows the final years of Roman triumvir Mark Antony and Egypt’s queen Cleopatra VII, as they engage in affairs, neglect their imperial duties, and wage war against Octavius Caesar (Augustus). In ArtiFact 57, authors Laura Woods, Alex Sheremet, and Keith Jackewicz discuss Antony & Cleopatra through the lens of Roman history, key aspects of Shakespeare’s writing, and ways of assessing the play as modern readers.
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B Side topics: Cleopatra’s ambivalence over love; Cleopatra through time; sex, politics, psychology; Keith: love and power’s maintenance can be similar; power as mutual agreement on common myths; Enobarbus is underrated; Antony & Cleopatra as Shakespeare’s most cynical play; Roman propaganda during the time of civil war; the facile comparisons between America and Rome; comparing American and Israeli politics; how liberal/conservative politics get coded, weaponized; Laura: social media has Americanized political discourse in Ireland; Apple vs. Android vs. Microsoft products; Alex: the best, most stable phone I’ve ever owned was an off-brand Chinese product; America, Russia, China; assessing Chinese cultural exports; the lack of penetration of “closed” cultures; why there has been no English-language documentary on Vladimir Vysotsky; Laura on the Irish language, Alex on the Latin Vulgate Bible; Laura on nursing politics in Ireland; Keith: I have little respect for psychiatry as a discipline; mental health is too de-contextualized from everyday reality; the South African genocide against in the ICJ; Ireland’s Palestinian experience, Palestine’s Irish experience; Iran’s Bobby Sands virtue-signal; Michael Hoffman is useless for Palestinian activism; anti-Talmud theories are similar to Islamophobia; Israel & genetic ancestry
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Cleopatra thumbnail photo by Siednji Leon on Unsplash.
Timestamps:
1:00 – introducing Antony & Cleopatra; Irish poet Laura Woods on Antony and Cleopatra in the Shakespeare pantheon; how Shakespeare manages length; sexual innuendo in Hamlet and Antony and Cleopatra; Keith Jackewicz: Antony and Cleopatra has no obvious villain; do readers have empathy with a “soft” & emotional Antony; Cleopatra, race/ethnicity, and Orientalism
15:48 – how 17th century conceptions of race crystallize in Shakespeare; there are no great (extended) soliloquies in Antony & Cleopatra; tensions between prosaic and poetic elements in Shakespeare; austere Rome vs. Egyptian fantasy; moments of humor; why elites ignored the Eastern Roman Empire
25:30 – Alex on the ancient tension between Roman citizens & Greek migrants; Homeric vs. Hellenistic Greece; Roman history never seems to hit a true Golden Age; Roman propaganda as “public morality”; offstage action; greatness of Antony, Octavius, and others is based on mass perception
34:55 – Shakespeare’s decision to bring the action offstage; the male craving to study ancient Rome; Cleopatra’s death as a grand affair with posthumous needs
41:53 – Antony’s dead wife, Fulvia; Fulvia vs. Cleopatra in the historical record; why does Antony want Fulvia dead; feminist, post-colonial, etc. readings tend to be anachronistic; Fulvia as paragon; feminine manipulation vs. making excuses for one’s poor choices; the psychopaths writing young adult literature
1:01:08 – Fulvia’s death as a bargaining chip; Antony & Cleopatra as narcissists; Jordan B. Peterson is a fraud for never discussing the play’s “feminine chaos”; viewer reactions to Robert Altman’s MASH in the 1970s vs. today
1:11:55 – Cleopatra uses sex for political survival; male arguments about “feminine wiles” are very effeminate; Alex relates the story of his own conniving Cleopatra; ambiguity of love within the play; unconscious behavior; how Shakespeare leverages unclear action; how Cleopatra wrestles control of the narrative; the snake’s symbolism
1:30:45 – Alex: it was refreshing to watch leaders worrying about future perceptions; past glory; how Antony & Cleopatra plays with chance/destiny; does political power at the highest levels entail determinism; Augustus Caesar as Shakespeare’s agent of fortune; the role of ego; 1 of Cleopatra’s greatest & most modern lines; why Act 3 ends perfectly
1:40:35 – Patron show preview
Tags: #cleopatra #ancienthistory #books #shakespeare #booktube
