In this episode, called “Light and Luxe,” we take a look at the connections between Dutch painting, trade, and luxury during the so-called “Dutch Golden Age” of painting. We will focus on post-1650 genre painting as well as a new form of still life painting called Pronkstilleven (loosely translated as “ostentatious” or “sumptuous” still life) that emerged around the mid-17th century. Artists covered include Vermeer, Gerard ter Borch, and Willem Kalf.
Sources + further reading:
In this episode, called “Light and Luxe,” we take a look at the connections between Dutch painting, trade, and luxury during the so-called “Dutch Golden Age” of painting. We will focus on post-1650 genre painting as well as a new form of still life painting called Pronkstilleven (loosely translated as “ostentatious” or “sumptuous” still life) that emerged around the mid-17th century. Artists covered include Vermeer, Gerard ter Borch, and Willem Kalf.
Sources + further reading:
All episodes of this podcast, along with transcripts, are archived in the Brock University Digital Repository: https://dr.library.brocku.ca/handle/10464/14905
“Complete Catalogue of the Painting of Johannes Vermeer.” Accessed October 19, 2020. http://www.essentialvermeer.com/vermeer_painting_part_one.html.
Denny, Walter. “Islamic Carpets in European Paintings.” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. https://www.metmuseum.org/toah/hd/isca/hd_isca.htm.
Franits, Wayne. "Genre Painting in Seventeenth-Century Europe." In Blackwell Companions to Art History: A Companion to Renaissance and Baroque Art, by Babette Bohn, and James M. Saslow. Wiley, 2013.
Kalf, Willem. Still Life with a Chinese Bowl, Nautilus Cup and Other Objects. 1662. Museo Nacional Thyssen-Bornemisza. https://www.museothyssen.org/en/collection/artists/kalf-willem/still-life-chinese-bowl-nautilus-cup-and-other-objects.
Liedtke, Walter. “Johannes Vermeer (1632–1675) and The Milkmaid.” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/milk/hd_milk.htm
Ter Borch, Gerard. Lady at Her Toilette. 1660. Detroit Institute of Arts. https://www.dia.org/art/collection/object/lady-her-toilette-63323.
The Metropolitan Museum of Art. “Nautilus Cup. Dutch, Utrecht.” https://www.metmuseum.org/art/collection/search/193582.
Tokumitsu, Miya. “The Currencies of Naturalism in Dutch Pronk Still-Life Painting: Luxury, Craft, Envisioned Affluence.” RACAR : Revue d’art Canadienne / Canadian Art Review 41, no. 2 (2016): 30–43. https://doi.org/10.7202/1038070ar.
Vermeer, Johannes. The Milkmaid. C. 1660. Rijksmuseum. Accessed October 14, 2020. https://www.rijksmuseum.nl/en/collection/SK-A-2344.
Vermeer, Johannes. Lady at the Virginals with a Gentleman aka The Music Lesson. Early 1660s. Royal Collection Trust. Accessed October 14, 2020. https://www.rct.uk/collection/405346/lady-at-the-virginals-with-a-gentleman.
Vermeer, Johannes. The Lacemaker. Louvre. 1669-70. Museum. https://www.louvre.fr/en/oeuvre-notices/lacemaker.
“Vermeer and the Masters of Genre Painting: Inspiration and Rivalry.” Exhibition at the National Gallery of Art, USA. https://www.nga.gov/exhibitions/2017/vermeer-and-the-masters-of-genre-painting.html.
Wieseman, Marjorie E., Wayne Franits, and H. Perry Chapman. Vermeer’s Women: Secrets and Silence. New Haven and Cambridge: Fitzwilliam Museum, in association with Yale University Press, 2011.
Credits
Unboxing the Canon is hosted and produced by Linda Steer for her course “Introduction to the History of Western Art” in the Department of Visual Arts at Brock University. Brock University is located on the traditional lands of the Haudenosaunee and Anishinaabe peoples.
Our sound designer and editor is Devin Dempsey, who is also reading these credits. Our logo was created by Cherie Michels. The music for this podcast has been adapted from “Night in Venice” and “Inspired” by Kevin MacLeod. Both are licensed under Creative Commons Attribution International 4.0. Additional music in this episode is from Bach, “The Well Tempered Clavier,” Book I, BWV 846-869, musicians unknown.
We are grateful to Alison Innes from the Faculty of Humanities for her sharing her podcasting wisdom and offering support.
This podcast is funded by the Humanities Research Institute at Brock University.
