This week we interview Technical Director Johnathan Bearclaw Hart. Cindy worked with Bearclaw on "Faust" at Portland Opera. Portland Opera is the first opera he has worked at, in any capacity and he tells us some of the differences and challenges he faces switching from Musical Theatre to Opera. A big one being that operas rent a lot more sets, that then need to fit into a space they were not originally designed for. But he loves puzzles! So it worked out great for him.
Enjoy the show!
Attribution:
----more----
Logo:
Theater Masks by Nikita Kozin / Licence: CC BY 3.0
thenounproject.com/term/theater-masks/516808/
Ritzy Remix font by Nick Curtis - www.nicksfonts.com/index.html
Music and Sound
cello_tuning by flcellogrl / Licence: CC BY 3.0
freesound.org/people/flcellogrl/sounds/195138/
Flute Play C - 08 by cms4f / Licence: CC0 1.0
freesound.org/people/cms4f/sounds/159123/
"Danse Macabre - Violin Hook" Kevin MacLeod (incompetech.com) / Licence: CC BY 3.0
Licenses
CC BY 3.0 - creativecommons.org/licenses/by/3.0/
CC0 1.0 - creativecommons.org/publicdomain/zero/1.0/
106 - Mo Guiberteau
105 - Silver Glass Productions with Jacob Louchheim and Gavin Barba
104- Megan Lovegren
103 - Chris Eli Blak
102 - Mark Blankenship
101 - Marina Dardani
Episode 100!
099 - Anthony Rigagalia
098 - Alessio Picco
097 - John O'Niel
096 - Dana Sato
095 - Kit Ingui
094 - Andrew Ousley
093 - Kristi Ross-Clausen
092 - Stacy's New Job!
091 - Erin Maureen Koster
090 - Leslie Sears
089 - Christina Bayer
088 - Dyalekt
087 - Clyde Riddlesbrood
Create your
podcast in
minutes
It is Free
The Marty Ray Project: Chats
What’s the Res?
The Creative Solutions Podcast
The Adventures of Sherlock Holmes
Great Expectations
The Magnus Archives
The Moth