In Samantha M. Bailey’s debut thriller WOMAN ON THE EDGE, a mother hands her infant daughter to a stranger before falling to her death in front of a subway train. That is, the woman given the child claims they've never met.
But there is enough evidence to prove otherwise. If she's lying, it's because she has a lot to gain: the child she's always wanted, AND access to the fortune the child will one day inherit.
In other words, WOMAN ON THE EDGE has all the right elements for a taut, breakneck domestic thriller.
Sam and I discuss how the concept for her novel came to her, and why the book's plot hits home with so women. And having personally known Sam since WOMAN ON THE EDGE began it’s journey to publication, if your an aspiring author seeking insights and inspiration, our discussion on that process is one you won’t want to miss.
Samantha M. Bailey - A FRIEND IN THE DARK
Meredith Schorr - SOMEONE JUST LIKE YOU
Jane Healey - GOODNIGHT FROM PARIS
Jane Smiley - A DANGEROUS BUSINESS
Michelle Cox - A SPYING EYE
Joy Jordan-Lake - A BEND OF LIGHT
Rhys Bowen - WHERE THE SKY BEGINS
Lee Goldberg - MOVIELAND
Meredith Schorr - AS SEEN ON TV
Samantha M. Bailey - WATCH OUT FOR HER
Lisa Barr - WOMAN ON FIRE
Rea Frey - SECRETS OF OUR HOUSE
Kaira Rouda - SOMEBODY’S HOME
Yasmin Angoe - HER NAME IS KNIGHT
Lee Goldberg - GATED PREY
Hank Phillippi Ryan - HER PERFECT LIFE
Liza Nash Taylor - IN ALL GOOD FAITH
Kristin Contino - A HOUSE FULL OF WINDSOR
Tess Gerritsen, Gary Braver - CHOOSE ME
Andrew Mayne - BLACK CORAL
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