In many ways, music is all about relationships. Relationships between musicians, between artists and audiences, between artists and their instruments, even the relationships between sounds and notes in a scale. But we can also think of these relationships inside a wider web of connections. What would it be like to compose and perform music that embeds relationship between humans and non-humans such as plants, animals, or environments? What might that do to how we compose, perform, and listen to music? Today we dive into...
In many ways, music is all about relationships. Relationships between musicians, between artists and audiences, between artists and their instruments, even the relationships between sounds and notes in a scale. But we can also think of these relationships inside a wider web of connections. What would it be like to compose and perform music that embeds relationship between humans and non-humans such as plants, animals, or environments? What might that do to how we compose, perform, and listen to music? Today we dive into these questions with Luis Fernando Amaya, a composer and percussionist based in Oslo. Luis Fernando’s music has been performed throughout the Americas and Europe and themes of collective memory and relationships between humans and non-humans are often present in his work.
Bio and Links
Born in Aguascalientes, México, Luis Fernando Amaya is a composer and percussionist based in Oslo. Topics such as collective memory and the relationship between humans and non-humans (such as plants, animals, or environments) are commonly present in his work. He studied composition and music theory at the Centro de Investigación y Estudios Musicales (CIEM) and holds a Ph.D. in composition and music technology from Northwestern University.
Amaya's music has been performed throughout the Americas and Europe by performers such as the CEPROMUSIC (México), Arditti Quartet (UK), Lucerne Festival Contemporary Orchestra (Switzerland), Ensemble Dal Niente, Fonema Consort, Yarn/Wire (USA), Oslo Domkor (Choir of the Cathedral of Oslo, Norway), amongst others. He is the recipient of awards and fellowships such as the Residency PRIX CIME (International Electroacoustic Music Competition 2023), a Presidential Fellowship (NU), and representing México in the 61st International Rostrum of Composers of the UNESCO in Helsinki, Finland. As a performer, Amaya is a member of the collective composition and free improvisation trio Fat Pigeon.
His scores are published by BabelScores.
His monographic album Cortahojas was recently released by Protomaterial Records.
https://www.luisfernandoamaya.com
Instagram @luisongolilongo
Bandcamp
Studies for "Bestiario: seis"
En esta línea contengo un bosque (2018)
Eddie Ortíz-González poetry
PhD Dissertation: Music Composition as a Means to Connect With the More-Than-Human: A Dialogue Between the Works of Walter Kitundu, Liza Lim, and Luis Fernando Amaya
Photo credit Ana María Bermúdez
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