Life, liberty and property: for every embryo.
This is the effect of the Personhood Amendment, passed by a new president with big ideas. Not only does the Personhood Amendment outlaw abortion (and threaten anyone involved in the act with a charge of second-degree murder), it also prohibits in vitro fertilization and adoption by unmarried persons. In Leni Zumas’s Red Clocks, four women in Newville, Oregon, are left to navigate this new landscape: Ro, a biographer desperate to have a baby while writing the untold story of a female polar explorer; Susan, a mother trapped in suburbia with an extremely difficult husband; Mattie, an adopted teenager who finds herself pregnant and unwilling to allow her unborn child to wonder why it wasn’t wanted; and Gin, a forest-dwelling mender whose “witchcraft” somehow weaves its way into each woman’s life.
As the aftershocks of the Personhood Amendment wreak havoc in the small Oregon town, Gin is suddenly arrested for medical malpractice; and, in yet another echo of the past, a modern-day witch hunt ensues. As the trial begins, the town is faced with questions: What is a woman for? Who controls her body? What does it mean to become a mother? What is your place in the world if you choose not to have a child?
In a novel both vividly revolutionary and achingly familiar, Leni Zumas invites the reader to reexamine preconceived notions of power in a society where women’s bodies are controlled by the government. Through the eyes of high school teachers, stay-at-home mothers, aspiring marine biologists, and town misfits, Zumas wondrously paints the story of modern women reckoning with deeply conservative values.
Zumas is in conversation with Porochista Khakpour, author of the memoir Sick.