“The Flash”, the latest DC superhero to earn a solo outing on the big screen, may be a spectacle of visual effects, but Sound Editors John Marquis and Nancy Nugent Title are here to explain why the movie experience is affected as much by what you hear as what you see. The integration is key, but recognizing the contributions of sound can unlock a completely new understanding of the film.
Season 5 - Ep 7 - COVID-19 - The Unions Respond
Season 5 - Ep 6 - Props - Wizards of Waverly Place
Season 5 - Ep 5 - Props - S.W.A.T.
Season 5 - Ep 4 - COVID-19 - Remembering Larry Lerner
Season 5 - Ep 3 - Props - The Wrestler
Season 5 - Ep 2 - Props - The Prestige
Season 5 - Ep 1 - COVID-19 - Production Shutdown
Season 4 - Ep 11 - Below the Line at the Oscars
Season 4 - Ep 10 - Oscars - Costume Design
Season 4 - Ep 9 - Oscars - Cinematography
Season 4 - Ep 8 - Oscars - Makeup and Hairstyling
Season 4 - Ep 7 - Oscars - Original Song / Original Score
Season 4 - Ep 6 - Oscars - Film Editing / Visual Effects
Season 4 - Ep 5 - Oscars - Sound Mixing / Sound Editing
Season 4 - Ep 4 - Oscars - Production Design
Season 4 - Ep 3 - DGA Awards - Television Nominees
Season 4 - Ep 2 - DGA Awards - First-Time Features / Documentaries
Season 4 - Ep 1 - DGA Awards - Theatrical Feature Films
Season 3 - Ep 10 - Ford v Ferrari Stunts
Season 3 - Ep 9 - Ford v Ferrari
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