What amours de voyage are. What it means to idealize what Keats calls "The fair creature of an hour," as Claude does. How such idealizations derive from "Juxtapositions." What it means to see through one's own idealization, by understanding its biochemical substrate. What's wrong with seeing through that idealization. With examples from Proust (and his differences from Freud). All relevant tangents, or so I think. With some interesting information about Andrea Aguyor.
18. Peeping Tom, sort of but mainly Freud on instincts, pleasure, unpleasure, and scopophilia
23. Marvell's "Upon Appleton House" (briefly) and then "The Unfortunate Lover"
18. Vertigo and Freudian repetition
22. Marvell - The Garden
21. Marvell: Damon the Mower and The Garden
16. Other worlds and other minds in Source Code and Groundhog Day
20. Last class on Herbert: The Forerunners; The Pulley
19. George Herbert: Jordan (I), The Flower, Easter Wings, etc.
15. Source Code
14. Groundhog Day
18. First class on George Herbert
13. Skepticism and Zeno's paradoxes, again
17. 17th century poetry: a class on Robert Herrick
16. 17th c poetry, mainly Jonson's Cary-Morrison Ode
12. Film and Philosophy: Akerman's La Captive
11. Film and Philosophy
15, 17th Century Poetry: Ben Jonson, mainly "The Hourglass"
14. 17th C Poetry: Ben Jonson's songs
10. Film and Philosophy: Berkeley and Beckett's
13. 17th C Poetry: Trinity and then Ben Jonson
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