What amours de voyage are. What it means to idealize what Keats calls "The fair creature of an hour," as Claude does. How such idealizations derive from "Juxtapositions." What it means to see through one's own idealization, by understanding its biochemical substrate. What's wrong with seeing through that idealization. With examples from Proust (and his differences from Freud). All relevant tangents, or so I think. With some interesting information about Andrea Aguyor.
Advanced Shakespeare 19 Friday 3-27-20 Act I concluded
Advanced Shakespeare 18 Friday 3-20-20 Antony and Cleopatra Act I continued
Advanced Shakespeare 17. Antony and Cleopatra 2.1: the soothsayer and Cleopatra's women
Advanced Shakespeare 16 Being Mark Antony
Advanced Shakespeare 15, 3-10-20 Ages of the characters -- Shakespeare's temporal preferences
Advanced Shakespeare 14 3/6/2020 Opening of Antony and Cleopatra
Advanced Shakespeare 13 - March 3, 2020 Last class on Macbeth: sonnets and then "My way of life is fallen...."
Advanced Shakespeare 12 Feb 28 2020 Poetic form and Yes Fear ShakeFear
Advanced Shakespeare 11 2/25/20 Interiorizing time
Advanced Shakespeare 10 Class of 2/14/20
Advanced Shakespeare 9 2/11/20: Remorse and repentance
Advanced Shakespeare 8 2/7/20 Being a character and daemonization
Advanced Shakespeare 7 2/4/20 Friendship and love in Shakespeare
Advanced Shakespeare 6 1/31/20 -- witches and soothsayers and messengers o my
Advanced Shakespeare 5 1/28/20 De Quincey Knocking at the Gate
Advanced Shakespeare 4 Friday 1/24/19 -- knocking at the gate, &c
Advanced Shakespeare 3 1/21/20: Macbeth, conflict, Coleridge on puns
Advanced Shakespeare 2 1/17/20
Advanced Shakespeare Episode 1 1/14/20
Early Romantics XXVII 5-10-19 LONG Last class on Coleridge
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