What amours de voyage are. What it means to idealize what Keats calls "The fair creature of an hour," as Claude does. How such idealizations derive from "Juxtapositions." What it means to see through one's own idealization, by understanding its biochemical substrate. What's wrong with seeing through that idealization. With examples from Proust (and his differences from Freud). All relevant tangents, or so I think. With some interesting information about Andrea Aguyor.
Early Romantics XXVI Climbing Mt. Snowdon in Prelude XIII
Imagining Money XXXVII Wed 5-1-19 Last class: managing desire
Early Romantics XXV 4-29-19 -- The Prelude and Wordsworth in general
Imagining Money XXXVI Mon 4-29-19 Preference, loss aversion, anxiety
Imagining Money XXXV Thurs 4-18-19 maguffins and the management of longing
Early Romantics XXIV Wednesday 4-17-19
Imagining Money XXXIV Wed 4-17-19 Stories of gambling
Early Romantics XXIII Monday 4-15-19 Home and homelessness
Imagining Money XXXIII Mon 4-15-19 How endings shape desires
Imagining Money XXXII Loss aversion - Thaler
Early Romantics XXII Wednesday 4-10-19 Intimations Ode, Prelude, Nature
Imagining Money XXXI -- poker, money, chips, macguffins, loss aversion
Early Romantics XXI Monday 4-8-19 More Intimations Ode
Imagining Money XXX Mon 4-9-19 MacGuffins
Imagining Money XXIX Hyperbolic Discounting
Early Romantics XX Wed 4-3-19
Imagining Money XXVIII Wed 4-3-19 Hyperbolic Discounting and such
Early Romantics XIX Monday 4-1-19 Bouncing around the Prelude
Imagining Money XXVII Mon 4-1-19 Common Knowledge and poker
Imagining Money XXVI Thursday 3-27-19 Mainly on cultural capital
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