What amours de voyage are. What it means to idealize what Keats calls "The fair creature of an hour," as Claude does. How such idealizations derive from "Juxtapositions." What it means to see through one's own idealization, by understanding its biochemical substrate. What's wrong with seeing through that idealization. With examples from Proust (and his differences from Freud). All relevant tangents, or so I think. With some interesting information about Andrea Aguyor.
Imagining Money XIV Thursday 2-15-19 Mainly Merchant of Venice and the Bible
Early Romantics IX Wed 2-13-19: Book of Thel
Imagining Money XIII Wednesday Feb 13 2019, mainly about usury
Early Romantics VIII Monday Feb 11 2019 mainly on most of Thel
Imagining Money XII Feb 10 2019 Kawabata, Exodus, Shakespeare
Early Romanticism VII -- more Blake
Imagining Money XI, Thursday 2-7-19 Game theory: Keynesian Beauty Contests, Stampedes and Panics
Imagining Money X Wednesday February 6 2019 -- Merchant of Venice and Ezra Pound
Romanticism VI 2-4-19 Blake's There is no Natural Religion, and some songs of Experience
Imagining Money IX Monday February 4, 2019
Imagining Money VIII Thursday January 31 -- Mostly Marx
Romanticism, Class V: Mainly on "All Religions Are One"
Imagining Money VII Wednesday Jan 30 2019
Romanticism Class IV: Songs of Innocence
Imagining Money VI 1-28-19
Imagining Money V Thursday Jan 24 2019 -- Midas and money
Romanticism, class III: Nurses Songs, Milton
Imagining Money IV Wednesday Jan 23 2019
Imagining Money III 1-22-19
English Romanticism: Blake, WW, STC second class 1-22-19
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