In 1989, Keith LaMar (aka Bomani Shakur) was sent to prison at age 19 for murder. He had been living in Cleveland, Ohio, where he sold drugs as a means of survival in the Crack-infested streets he knew as home. On a day that would forever change his life, Keith was robbed at gunpoint and exchanged gunfire with his robbers. He was shot twice in his legs and hit one of the other men in the chest. That young man, one a childhood friend, died. Keith pled guilty and was sent to prison for 18...
In 1989, Keith LaMar (aka Bomani Shakur) was sent to prison at age 19 for murder. He had been living in Cleveland, Ohio, where he sold drugs as a means of survival in the Crack-infested streets he knew as home. On a day that would forever change his life, Keith was robbed at gunpoint and exchanged gunfire with his robbers. He was shot twice in his legs and hit one of the other men in the chest. That young man, one a childhood friend, died. Keith pled guilty and was sent to prison for 18 years-to-life.
Four years later, Keith was attempting to put together the broken pieces of his life at the Southern Ohio Correctional Facility, hoping for another chance at life. It was an Easter Sunday, and the weather had just turned warmer; Keith and about 400 other men were outside exercising in the rec-yard when commotion broke out inside and it became clear that some type of protest was underway. Keith made a quick decision to slip inside for a few minutes to secure his personal belongings (since his cell assignment was in the area being taken over). Once back out in the yard, he and the others waited to see what would transpire, watching as the bodies of several men were dumped onto the yard.
As Easter came to an end, the Ohio State Highway Patrol rounded up those on the yard and secured them into another part of the facility. Prison records prove that Keith was among them. Though no one could have predicted what exactly was happening, or how it would all result, an 11-day siege ensued. In the end, nine inmates and one guard ultimately lost their lives. When the dust began to settle, the State of Ohio needed someone on whom to pin several of the early inmate deaths. This is where Keith’s troubles began…
A few months later, several prisoners were enticed with the promise of early paroles and/or dropped charges if only they would come up with a reasonable story to help the State sweep up the “mess” at their out-of-control prison. They determined Keith would be the fall guy, and they pointed their fingers at him. Thus, to make it all come together convincingly, the prosecution withheld actual confessions from his defense, as well as eyewitness statements that contradicted their fabricated version of events. In spite of zero DNA or forensic evidence, they moved forward with their accusations against Keith. In fact, they made sure his trial would be racially biased in their favor by calling for the removal of the few potential black jurors, and by holding his trial in an all-white county in southern Ohio. In spite of having no motive to kill anyone, no actual proof connecting him, nor any affiliation with any of the groups organizing the uprising, the jury didn’t take long to find Keith LaMar guilty of the murder of five of the inmates. He was sentenced to death.
Albert Marquès is a pianist, composer, and political activist from a working class, industrial town outside of Barcelona, where he worked in factories through school. A member of a Catalan anti-capitalist organization as a teenager, he narrowly escaped being detained for his activism.
Influenced by the local punk scene, as well as jazz recordings of musicians like Chick Corea, Brad Mehldau, Michel Camilo and Herbie Hancock, he was self-taught until he attended Conservatori Superior de Música del Liceu. After graduation, he made two pivotal trips which changed his life, spending a month in the West Bank in Palestine and a month in Cuba.
During his four years in Barcelona, he played with the best musicians of the scene, such as Marc Miralta, thanks to his unique, non-academic sound. Upon graduating, he moved to Paris, where he worked in a McDonald’s until he learned French. In Paris, he played with musicians such as Remi Vignolo and Pierre Perchaud, and became the pianist in African American drummer Leon Parker’s quartet.
At 25, Albert moved to New York City, without knowing even one person, to play jazz. After a year and a half working as a waiter and going to jam sessions every night, he met his mentor Arturo O'Farrill, who gave him his own baby grand piano. In addition to his musical influence and encouragement, O’Farrill hired him to teach with his organization, the Afro Latin Jazz Alliance, a non-profit that gives free Latin jazz music lessons in the most disadvantaged New York City public schools. Albert also plays and collaborates with his sons, Adam and Zack O’Farrill.
In 2014, he married the sculptor Mia Pearlman, with whom he has two children, Aviva and Sol. It is in New York that he finally combined his biggest influences: contemporary jazz, flamenco, Afro Cuban music and social justice by creating Freedom First. He has recorded four albums as a band leader, and regularly collaborates with rhythm master Ari Hoenig, Spanish flamenco singer and saxophonist Antonio Lizana, and other American and European musicians.
Marques is the Music Director at the Institute for Collaborative Education in NY, a progressive, public middle and high school in downtown Manhattan.
