As a filmmaker, what do you do when you are making a rather run of the mill, straight forward vanity profile of a well known figure and, in the middle of making this profile, one of the most epic, insane, and legendary events in the history of that person's field occurs?
Do you:
A- Switch the focus of your documentary to this insane event and become the first person to fully report on it, thus giving you orignial control of the broader narrative and create a document that would be referenced in everything ever made about this defining moment.
B- Use it as a build up to a second documentary that then becomes the original version of the story.
C- Just kinda treat it like a thing that happened, kinda tack it on at the end, and then just roll credits.
If you answered "A" or "B," you are not the makers of this movie.
Join us as we discuss the most absurd waste of material ever published.
Criterion Year Week 11: Rushmore
Criterion Year Week 10: Charade
Criterion Year Week 9: Armageddon
Criterion Year Week 8: The Long Good Friday
Criterion Year Week 7: The Silence of the Lambs
Criterion Year Week 6: Hard Boiled
Criterion Year Week 5: The Killer and Old School Video Stores
Criterion Year Week 4: The 400 Blows
Criterion Year Week 3: The Lady Vanishes and The Basics of Hitchcock
Criterion Year Week 2: The Seven Samurai and its Remakes
Criterion Year Week 1: The Grand Illusion and POW Movies
Long Delayed Sequels Part 2: Finally the topic!
Long Delayed Sequels Part 1: The Episode Where We Don't Discuss The Topic
The Films of Christopher Guest: How Improv Should Be Done
Episode 21: My lying ass family of lying liars.
The Criterion Collection with Special Guest
Episode 20:Nobody asked you to be funny/ AKA: There is a time and a place for penises
War on Film: With Special Guest Host
Episode 19: How an adult should handle a birthday party
Lance Henriksen... need we say more?
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