Watch here. Listen below
0:00 Intro and hello
1:35 Your new book?
6:07 The framework and structure you improvise within? Your style of improvisation.
15:50 The loose structure described in your etudes?
18:40 Any listening suggestions?
23:46 The relationship between improvisation and composition?
29:40 Your snare features for Black Swamp Percussion?
36:40 Studying with Gordon Stout?
41:34 How do you listen differently when you know you're listening to something composed vs something improvised?
@Percussion-242-Patti Niemi & Chris Deviney
@Percussion 241 Filip Merčep
@Percussion - 240 - Marianna Bednarska - Marimba in Poland
@Percussion - 236 - Anne-Julie Caron - Marimba During COVID & Social Unrest
@Percussion - 235 - Tribute to Alan Abel
@Percussion - 239 - Alli Martin - Supreme Court Rules in Favor of Human Rights
@Percussion 234 Steven Schick - "Toucher" (live performance) and Turning Points.mp3
@Percussion 237 - PAS Diversity Alliance
@Percussion - 233 - Garrett Mendelow - Xenakis and Movement
@Percussion - 232 - Michael LaMattina - Orchestra, Recording, Film, Mischief
@Percussion - 231 - The PAS Composition Committee
@Percussion - 230- Arthur van der Drift - The Tromp Competition
@Percussion - 229 - Ronni Kot Wenzell - Denmark to Brazil and Around the World
The@Percussion podcast 228 - Andy Akiho
The_Percussion_podcast_227_-_Matt_Nichols
The@Percussion podcast 226 - Jennifer Torrence
The@Percussion podcast - 225 Evelyn Glennie
The@Percussion podcast 224 Cory Hills
The@Percussion podcast 223 Josh Jones returns!
The@Percussion podcast 222 with Ivana Bilic
Create your
podcast in
minutes
It is Free
Immediately Kinfolk
This Next Song‘s About - A Songwriter‘s Podcast
No Jumper
Here’s The Thing with Alec Baldwin
Brown Bag Mornings