Lucy Walker, Head of Public Engagement at Britten-Pears Arts and the voice behind their podcast - From The Red House - unpacks why The Maltings at Snape and the Red House offer a sense of place that is crucial to fully understanding Benjamin Britten’s work and his musical legacy.
You can find out more about Lucy’s work for Britten Pears Arts and her dedicated podcast “From The Red House” at: https://brittenpearsarts.org/
If you enjoy this conversation, please subscribe, check out our other great episodes, and even better leave us a review. You can also follow us on social media and sign up to our mailing list at https://polyphonyarts.com/mailing-list for updates and news about Music Works and Polyphony Arts.
Music Works is generously supported by Allianz Musical Insurance, the UK’s No. 1 musical instrument insurer.
1.15A - Classical music: the dark side! A singer tells all.
1.14: Stepping into your arts career.
1.13: Sexism and sexual harassment in the music industry
1.12: Redefining the concert space
1.11: Why music competitions don't work and how to fix them
1.10: why we need to start singing again.
1.9: Insights from an insider - Michael Poll on programming in the arts, & rhetoric in music
1.8: When can you call yourself a composer?
1.7: Cultured Communities: arts, communities and how we fund them.
1.6: Using the difficulty - how musicians are finding opportunities in challenging times.
1.5: Teaching, performing & recording under COVID with Steve Stirling
1.4: Valuing your skills as a musician, with a business mindset
1.3: Beyond Covid - education and inclusivity with bassonist, Prof. Fraser Gordon
1.2: Belonging vs Fitting In - inclusivity & the creative process with composer Ella Jarman-Pinto
1.1: A Manifesto for Classical Music
Music Works trailer
Join Podbean Ads Marketplace and connect with engaged listeners.
Advertise Today
Create your
podcast in
minutes
It is Free
The Marty Ray Project: Chats
What’s the Res?
The Creative Solutions Podcast
The Count of Monte Cristo
Anne of Green Gables
The Magnus Archives
The Moth