War is hell. Sisko and crew get put in the middle of it.
What does the end of History and the 90s have to do with this episode? WELL WE’RE GONNA TALK ABOUT IT.
Salts vs Boots. Tuco Salamanca! Will Robinson! Neoliberalism!
Why was this such a hard episode to get made?
Is this a facile argument about war in general? Is the question of whether the war is just or necessary an important one to ask for this story?
Contrast this to City on the Edge.
Framing alien species against humans. Does Quark here epitomize an ideology that we’ve grown beyond?
Hell is for Heroes. And that ain’t us. Heinrich Colbe has some cred though.
Leave Worf out of this one.
Remember PCU?
Does this suffer for the lack of Star Trek aspirations?
Is the sermonizing about war is underthought?
Rule 34 again: War is good for business.
He almost changed the line. Nicole wasn’t going to beam crouched.
What songs do the troops play before battle?
Oh Vic. Some of us hate you. Star Trek even turned the Beastie Boys into Vic Fontaine.
Is Tuco Vargas? In praise of technobabble.
Turns out with an episode this good we have to critique what it says, not how it says it.
Let us know what you think!
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The Reckoning (DS9 S6E21)
His Way (DS9 S6E20)
In the Pale Moonlight (DS9 S6E19)
Inquisition (DS9 S6E18)
Wrongs Darker Than Death or Night (DS9 S6E17)
Change of Heart (DS9 S6E16)
Honor Among Thieves (DS9 S5E15)
One Little Ship (DS9 S6E14)
Far Beyond the Stars (DS9 S6E13)
Who Mourns For Morn (DS9 S6E12)
Waltz (DS9 S6E11)
The Magnificent Ferengi (DS9 S6E10)
Statistical Probabilities (DS9 S6E09)
Resurrection (DS9 S6E08)
You Are Cordially Invited (DS9 S6E07)
Sacrifice of Angels (DS9 S6E06)
Old Man Picard, Discovery, and More: A Conversation with Manu Saadia
Favor the Bold (DS9 S6E05)
Behind the Lines (DS9 S6E04)
Voicemails of Summer
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