Pocahontas

2017-01-06

[School of Movies 2018] The Disney shows return, Daniel Floyd of Extra Credits joins us once again to continue our trek through the past of the animation giant. And we are in the middle of the 90s renaissance, their third period of creatively blossoming (Pre-War/Post-War/90s) and the first after the box office high point of The Lion King presented a bar almost impossible to reach. Even if it hadn't been culturally troubling, deliberately historically naive and melodramatic when the audiences wanted...

[School of Movies 2018]

The Disney shows return, Daniel Floyd of Extra Credits joins us once again to continue our trek through the past of the animation giant.

And we are in the middle of the 90s renaissance, their third period of creatively blossoming (Pre-War/Post-War/90s) and the first after the box office high point of The Lion King presented a bar almost impossible to reach. Even if it hadn't been culturally troubling, deliberately historically naive and melodramatic when the audiences wanted fun, Pocahontas was going to stumble.

It became the benchmark of what happens when Disney decide they have a hit on their hands before release (everybody thought this was going to be their Cinderella and Lion King was just going to be a muck-about with animals). And yet for its faults, which we will go into, it remains a beautiful, sweeping, bittersweet Hollywood romance of the kind it's very tough to pull off successfully, even today, *especially* today.

The music by Alan Menken is once again amazing, the voice acting is top notch, the animation might make you gasp, and it's probably the most Broadway musical-feeling of all the Disney canon, for better or worse.

We have covered all the Disney animated classics canon so far from Snow White up to The Lion King and they can be found of the "School of Movies Archive" which is a separate feed on iTunes or wherever else you find podcasts. Here's all the Disney ones.

Guests

Daniel Floyd of Extra Histories

Nama Chibitty

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