Fresh from last week’s discussion of Mickey Mouse, Chris and Alex are once again joined by Dr David McGowan (Lecturer in the Contextual and Theoretical Studies of Animation at the University of the Arts London) to map the mythology of the Golden Age of Animation, and in particular how this phase of the medium’s history has been framed in relation to the cartoon’s move from silent to sound technology but also its emergent stability and security as an industrial art form. Listen as they cover animation’s artistic recognition, questions of distribution, and the economic dominance of the major players in Hollywood cartoon production; the precise terms of ‘golden’ as a descriptor for the business of U.S. commercial animation, but also how alternate histories and representations suggest its limits for certain studios and identities; technological innovation, Disney-level aesthetic qualities, and the solidification of ‘full animation’; and the sentimentality afforded to the Golden Age as a period defined as much by dead ends as the heralding of animation’s growing prestige and ambition.