Kari Erickson started her career in audio engineering virtually by accident in her early 20’s and then went on to graduate from the Institute of Audio Research in 2002. She was one of three women’s audio engineers in the famous NYC Club Tonic and has also toured mixing FOH for bands such Meshell Ndegeocello and Yo La Tengo. Currently, she lives in Seattle, Wa, and is the Audio Visual Systems Engineer for the Seattle Art Museum by day, while still freelancing in many-storied venues by night…all while raising two teenagers and one killer cat named Butch.
Interviewer Host & Producer: Rebecca Wilson
Executive Producers: Beckie Campbell & Susan Williams
Edited by: Andree Lee
soundgirls.org
Sponsored by QSC
https://www.qsc.com
Ay Ay Ford Wesley: Co-Owner & head engineer of sound signature
Arica Rust: Live Sound Engineer Specializing in Systems Engineering
Ann Mincieli: Two-time grammy award winning engineer, and owner of Jungle City Studios
Meegan Holmes: Live Sound Engineer & GM for LA Branch of 8th Day Sound
Jade Payne: FOH and Monitor Engineer
Carolina Anton: Sound Engineer, Owner of GoroGoro Studios, and SG Chapter Head Mexico City
Noelle Scaggs and her newly-founded Diversify the Stage initiative
Freyja Lawson: PA Tech and Monitor Engineer
Fernanda Starling: Production sound mixer, post production, SKA bassist
Dana Wachs, Audio Engineer and Performing Artist Vorhees
Scott Adamson: Freelance FOH engineer, the production academy
Mary Mazurek: Grammy nominated engineer , DPAs, & matcha tea
Andrew Stoakley Sports Broadcast Mixer
Brad Madix: FOH Engineer and co-owner of diablo digital
Jeri Palumbo: PART 2-Green tea, mixing sports, and bluegrass
Jeri Palumbo: PART 1-Broadcast mixing, willingness to learn, and sexism
Jess Fenton: Proof in Music, Fostex 4 TRK, and Coffee
Leslie Gaston-Bird: Author, AES Board of Governors, and owner of Mix Messiah Productions
Samatha Potter: H.O.W., navigating work relationship, and favorite drinks
Twi McCallum: Hiring black designers and creatives
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