Anna Smaill is a New Zealand poet, academic and now Man Booker longlisted novelist. ----more----Her striking debut The Chimes has something of all parts of her career so far. There is music (Smaill trained as a violinist), lyricism (in evoking a world in which words have been replaced by melody), intelligence (in exploring grand narratives about connection, language, fundamentalism, technology, religion) and narrative drive: The Chimes is a love story and a dystopian mystery.We met just before publication at RIBA. After some chatter about jet lag, we moved on to:
Anna Smaill is a New Zealand poet, academic and now Man Booker longlisted novelist. ----more----Her striking debut
The Chimes has something of all parts of her career so far. There is music (Smaill trained as a violinist), lyricism (in evoking a world in which words have been replaced by melody), intelligence (in exploring grand narratives about connection, language, fundamentalism, technology, religion) and narrative drive:
The Chimes is a love story and a dystopian mystery.
We met just before publication at RIBA. After some chatter about jet lag, we moved on to:
- memories of London, where Smaill began The Chimes, before returning home to New Zealand
- writing about London as an imaginative place
- the soundtracks of London and Tokyo
- German techno and Tokyo dancing vs Suede
- Smaill pitches The Chimes to Stephen Spielberg (kind of)
- the problems and danger of language in The Chimes
- memory, communication and extremism
- does The Chimes critique contemporary society?
- the pros and cons of technology
- the joy of reading
- linear narrative vs fractured memory
- Smaill's career anxieties
- The Chimes returning Smail to the joys of childhood reading
- from Phd thesis to novel writing
- Smaill's musical past - playing the violin
- crisis and giving up music
- music and identity
- music, emotion and the physical
I talk to Anna Smaill about her Man Booker longlist in The Independent: here.
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