"American Oasis" by Kyle Paoletta
Kyle Paoletta’s American Oasis comes with a subtitle: Finding the Future in the Cities of the Southwest.Born in Santa Fe, Paoletta grew up in Albuquerque. The native Southwesterner said he had to leave the region, to live in Boston and New York to find an appreciation for his old stomping grounds. After more than 10 years in the East, he discovered not only general ignorance about the Southwest but an indifferent attitude about a part of the country that he feels has an important story to tell.“It took wildfire smoke from Canada turning the sky in New York red for many media members to fully digest the enormous danger that people across the West have been living with for decades,” said Paoletta.“For so many Americans, it is only in recent years that the climate has begun to be understood as a hostile force. We southwesterners have never known anything different,” he said.But American Oasis is more than a call to arms; it’s history with spotlights thrown on some of the fascinating characters that inhabit the Southwest.We learn about Raymond Carlson, the former editor of Arizona Highways, the magazine that showcased the Arizona desert and life for the rest of America. There’s Jay Armes, who became a national celebrity from El Paso despite the loss of two arms in a freak accident at the age of 12.When we get to Las Vegas, Paoletta leads with the Kim Sisters, who entranced casino patrons with their musical act in the early 1960s. There’s background on Bugsy Siegel, who opened the lavish Flamingo Hotel in 1946 before he was shot dead in 1947. Then there’s Vida Lin and the Asian Community Development Council of Nevada, a group serving the more than 250,000 Asians and Pacific Islanders who now live in Clark County.The quote from Hunter Thompson seems appropriate in describing the Vegas scene: “In a closed society where everybody’s guilty, the only crime is getting caught.”But Paoletta confesses to liking Vegas. “No matter how discomfiting I might find the dollar-worshipping ethos of Las Vegas, at least it’s honest,” he wrote.For all its excess, Vegas conserves its water and ironically understands the need for conservation when it comes to nature, said Paoletta, suggesting that the lessons of the desert—respecting the limitations of the landscape—need to be understood by the rest of the country. America has always been a nation of the grow but as the Southwest shows—with climbing temperatures and water scarcity—that attitude can’t go on forever, said Paoletta, adding, “Our duration (as people) will depend on our willingness to attend to the inherent logic of our home.".
"Crossings--How Road Ecology is Shaping the Future of Our Planet" by Ben Goldfarb
Ben Goldfarb’s new book, Crossings—How Road Ecology is Shaping the Future of Our Planet, is a reminder that we need to consider the impact of a highway network--not just on the drivers--but on the animals that share the planet.We tend to take that impact for granted, he said. Drivers don’t realize the barrier effect, the noise pollution (“hugely disruptive to migratory songbirds”), or chemical pollution that our roads can create.But Goldfarb charts what he calls a movement: states across the country that now set up wildlife crossings in the form of bridges and underpasses. He praised his native Colorado for overpasses and tunnels that have saved thousands of animals.It isn’t just wildlife that reap the benefits of not becoming roadkill, he said. A reduction in the number of deer and elk that collide with an automobile saves the lives of drivers, too, said Goldfarb.Citing the progress Canada has made with animal crossings at Banff National Park in Alberta, Canada, Goldfarb expressed the hope that, as developing nations build their own highways, they might learn from what’s being done now to keep animals out of the road, especially since countries like Myanmar or Kenya are some of the most biodiverse places on Earth.“We have about 100 ocelots left in this country—all in south Texas. Traffic accounts for a 40 percent mortality rate in these animals,” he said.When precautions are taken and human understanding is involved, nature can be resilient, said Goldfarb, noting the rise of the beaver in this country. “We killed millions of beavers with the fur trade early in this country’s history. We dried out the landscape,” he said.Now that the beaver is recognized as an attribute to the environment, creating wetlands with its dams that benefit creatures of all kinds, they’re making a comeback, said Goldfarb.After attending a 2014 beaver workshop in Seattle, Wash. where scientists reeled off the many contributions beavers make to the land, Goldfarb said he became a believer.In 2018, he published, Eager: The Surprising, Secret Life of Beavers and Why They Matter. In that book, Goldfarb said he took California, a state with serious water issues, to task for failing to support the beaver population. “Now, seven years later, California is one of the leaders when it comes to supporting the beaver. We can make progress,” he said.When I suggested Goldfarb write a children’s book on the many benefits of the beaver, he said several books for young readers lauding the beaver are already available. “I’ll get a plug in for Kristen Tracy’s When Beavers Flew, “ he said, citing the true story of the relocation of beavers in Idaho in the 1940s.Goldfarb plans to stay near the water for his next project, a book on the complexities of fish migration.
"The Accord" by Mark Peres
“AI is technology that lets computers do things that normally require human intelligence—like understanding language, recognizing pictures, solving problems, or making decisions. It’s like teaching a computer to ‘think’ in specific ways by giving it patterns to learn from.”That’s one of the responses you get when you ask AI to describe AI.The whole world is either talking about AI, using AI, worrying about AI, celebrating AI, or trying to ignore AI. It’s kind of a big deal, as they say. The concept of artificial intelligence has likely had its greatest impact so far in the field of education, where “eyes on your own paper” is a directive we recall from our days in the classroom.So it’s no surprise that Mark Peres, a professor who’s taught ethics at Johnson & Wales University in Charlotte, N.C. for 20 years, might write a book about dealing with this breakthrough technology. The Accord dramatizes the evolving relationship between a philosophy professor and Lyla, the AI named after the professor’s deceased child.Peres recognizes that we’re only now beginning to understand the significance of a world where artificial intelligence moves from science fiction to science fact.“This is not the first time we’ve stood at the edge of transformation,” writes Peres, citing the printing press, the Industrial Revolution, and the digital age as past change agents. “Synthetic intelligence asks whether we were ever truly the center of the story. We must reach back to the humanities to guide us forward,” stated Peres.“Education must be reimagined as a co-creative process, with humans and machines learning alongside one another,” he said.As founder and executive director of the Charlotte Center for Humanities and Civic Imagination (“we just call it the Charlotte Center”), Peres has a history of exploring the world at large. As publisher of the Charlotte Viewpoint, a digital magazine from 2003 to 2016 that featured essays, interviews, reviews, stories, poems, photographs, videos, and works of art, he's exchanged ideas inside and outside of the classroom. His podcast led to a book, On Life and Meaning, 100 essays delivered by 100 guests. His website is markperes.com.In Accord, there’s a reference to HAL, the vengeful computer in Kubrick’s 2001: A Space Odyssey. “Lyla, would you kill to protect Helen (the professor with whom she has developed a relationship)?” The answer, as they say, is in the book.Meanwhile, Peres offers two main themes via The Accord: we’re at the beginning of a new cultural epoch, and the wisdom of the ages offers our best compass forward now that we're in the Age of AI.
In the Japanese Ballpark by Robert Fitts
You don’t have to worry that U.S. baseball fans could be overlooking Japanese baseball. Not after the Los Angeles Dodgers won the World Series for the second year in a row, led by Japanese stars Shohei Ohtani, Yoshinobu Yamamoto, and Roki Sasaki.Rob Fitts offers a glimpse into the Japanese game that developed these stars in his 11th book on Japanese baseball, In the Japanese Ballpark. Fitts dissects the Japanese game from every angle, from the perspective of players, umpires, owners, fans, and media. He even includes the beer girls that patrol the stands, hefting 40-pound kegs of beer, and some of the strange mascots that represent each team (like the Mysterious Fish of the Chiba Lotte Marines).Fitts provides plenty of history in his present account, tracing the origin of baseball in Japan to Horace Wilson, the Maine professor who traveled to Japan on an educational mission, introducing the game to his students in 1872. By 1905, most Japanese high schools fielded baseball teams. Professional baseball took hold in Japan after a successful barnstorming tour of the country by U.S. major-leaguers led by Babe Ruth in 1934.A previous Fitts book, Banzai Babe Ruth, details the 1934 tour, an attempt to use baseball diplomacy before the U.S. and Japan collided on the battlefield seven years later. That book chronicles the overseas adventures of some of baseball’s most colorful legends. Along with Ruth, who had just completed his last season with the New York Yankees, you had Connie Mack, the manager who always wore a suit in the dugout, Lou Gehrig, Lefty Gomez, Earl Averill, Lefty O’Doul, described by Fitts as “the greatest player you never heard of,” and Moe Berg, the Detroit Tigers catcher who became a spy in World War II.Admitting a love for the Hiroshima Carp, a team he says with the most amazing fans, Fitts feels Japanese baseball could win a place in the hearts of American fans with a little more exposure. In the meantime, he offers a guide on where to find Japanese baseball online and via cable in this country.Fitts says four more Japanese players will probably join the U.S. big leagues in 2026, though they’re not likely to have the star power of an Ohtani or Yamamoto. The author has concerns that if the top stars exit Japan for bigger salaries in the U.S., Nipponese Professional Baseball could suffer the same fate as the Negro Leagues did in the States, when the best players went over to the major leagues.Fitts expresses admiration and love for the Japanese game and the festive atmosphere at the Japanese ballpark, where fans sing chants, blow horns, and release balloons in their own 7th-inning ceremony. If you’re not planning a trip to the Orient, the book will explain what the fuss is all about.
"That October" by Keith Roysdon
Keith Roysdon is a media marvel. He spent 40 years as a newspaperman in Muncie, Ind., not just writing about what went on in Muncie but absorbing the movies, TV shows, and critical articles on the arts.Now living in Tennessee, Roysdon had a big year in 2025, publishing That October, his first book, a high-school crime novel set in 1984. But Roysdon has done plenty of writing besides that--and not just for the Muncie press. He has more than 70 stories on the CrimeReads website covering a wild variety of topics sure to please anyone who enjoys media history.Want a taste of the articles he's written? How about:--70s disaster movies--newspaper movies--Nazi-hunting in movies and TV thrillers--used bookstores--The Edge of Night soap opera--Quinn Martin crime shows of the 70s--Norman Lloyd (the villain in Hitchcock's Saboteur)--history of vintage newspaper crime comic strips (like Dick Tracy, Mike Nomad, and Steve Canyon)--Mannix--Rockford FilesHere's a brief interview with Keith where he talks about some of the CrimeReads pieces. Sorry for the abrupt ending--technical issues.