Directors Notes

FILMFREEWAY: An Interview About Scam Festivals, Fees, Marketing & the Platform's Future

No matter where you are in the film festival landscape – from eager first timer to seasoned award winning pro, or on the other side of the equation, organising your first screening for the local community or a mammoth A-lister like Sundance or TIFF setting the cinematic agenda for this film festival season to come, then one platform alone looms large above all others, FilmFreeway. Evolving from a scrappy four-person upstart in 2014, FilmFreeway inarguably dominates festival submissions across the globe, yet over the years has been less than forthcoming in responding to interview requests, suggestions or complaints generated by filmmakers and festival directors alike. After chasing the company for several years, the appointment of new General Manager Matt Toigo, who joins us on the podcast today, has finally opened up the opportunity to get answers to many of the burning questions the film community has about FilmFreeway – from what they’re doing to combat scam festivals to advice for maximising your success on the platform as a filmmaker or film festival.[Watch/Read the full interview] Head to Directors Notes for more filmmaker interviews and to watch our daily selection of new short films. If you’d like your film featured on DN, submit it here. If you’re not already, you should definitely subscribe to the Directors Notes podcast.Find us at:DN newsletterYouTubeInstagram https://archive.org/download/dn398filmfreewaymatttoigo/DN398FilmFreewayMattToigo.mp3

MOTHERBOARD: Victoria Mapplebeck on Filming 20 Years of Solo Parenting on iPhones

This week we’re joined by BAFTA winning filmmaker Victoria Mapplebeck to discuss her feature documentary Motherboard which transforms 20 years of solo parenting her son Jim into a groundbreaking work of cinematic self-portraiture as it charts two decades of life—from the shock of an unplanned pregnancy to the joys and challenges of raising a child alone, navigating cancer treatment, and weathering the storms of adolescence. In our interview, we get into the ethics of filming family and the need for clear informed consent, using smartphones to democratise filmmaking when funding remains elusive and structuring the film to prioritise emotional truth over tidy linear narratives.[Watch/Read the full interview] Head to Directors Notes for more filmmaker interviews and to watch our daily selection of new short films. If you’d like your film featured on DN, submit it here. If you’re not already, you should definitely subscribe to the Directors Notes podcast.Find us at:DN newsletterYouTubeInstagram https://archive.org/download/dn397motherboardvictoriamapplebeck/DN397MotherboardVictoriaMapplebeck.mp3

GIRLS ON FILM: Anna Smith on the Power of Female Perspectives in Cinema & Film Criticism

We recently sat down with Anna Smith – broadcaster, film critic and co-founder of the Girls on Film podcast and awards. Known for her feminist film criticism and advocacy, Anna has spent her career carving out space for women’s voices. In our interview, we cover the breadth of her career and the shifting dynamics of modern film criticism.[Watch/Read the full interview] Head to Directors Notes for more filmmaker interviews and to watch our daily selection of new short films. If you’d like your film featured on DN, submit it here. If you’re not already, you should definitely subscribe to the Directors Notes podcast.Find us at:DN newsletterYouTubeInstagram https://archive.org/download/dn396girlsonfilmannasmith/DN396GirlsOnFilmAnnaSmith.mp3

HARVEST: Athina Rachel Tsangari on Her 16mm Hallucinatory Tale of a Community’s Collapse

DN first had the pleasure of speaking to filmmaker Athina Rachel Tsangari back in 2011, following the SXSW screening of Attenberg, a film which cemented her position as a linchpin of the Greek New Wave. A couple weeks ago, ahead of its UK cinema release, we sat down together once again to discuss her latest feature Harvest, an adaptation of Jim Crace’s Booker Prize-nominated novel, which stars actor Caleb Landry Jones, was shot on 16mm by cinematographer (and director in his own right) Sean Price Williams and is a film about an idyllic community torn apart over seven hallucinatory days by the relentless economic forces of capitalism.[Watch/Read the full interview] Head to Directors Notes for more filmmaker interviews and to watch our daily selection of new short films. If you’d like your film featured on DN, submit it here. If you’re not already, you should definitely subscribe to the Directors Notes podcast.Find us at:DN newsletterYouTubeInstagram https://archive.org/download/dn395harvestathinaracheltsangari/DN395HarvestAthinaRachelTsangari.mp3

CACTUS PEARS: Rohan Parashuram Kanawade Dissects His Sundance & SXSW Award-Winning Debut

This week we’re bringing you Nimi’s interview with writer/director Rohan Parashuram Kanawade, whose debut feature Cactus Pears – a tender, life-affirming portrait of grief and queer love unfolding in a rural Indian village – won Sundance’s World Cinema Grand Jury Prize: Dramatic back in January, the first indian film to ever do so, and a couple of days after this interview was recorded added the prize for Best Feature Film at the inaugural edition of SXSW London to its fast growing list of plaudits.[Watch/Read the full interview] Head to Directors Notes for more filmmaker interviews and to watch our daily selection of new short films. If you’d like your film featured on DN, submit it here. If you’re not already, you should definitely subscribe to the Directors Notes podcast.Find us at:DN newsletterYouTubeInstagram https://archive.org/download/dn394cactuspearsrohanparashuramkanawade/DN394CactusPearsRohanParashuramKanawade.mp3