Coding Codices

Episode 14: Book Structures and Fan Cultures

In this episode, Aylin and Caitlin speak with Dot Porter on book structures, manuscript studies, and transformative works in fandom. Dot Porter is Curator of Digital Research Services at the Schoenberg Institute for Manuscript Studies. Music credits: Intro/outro music by TeknoAXE, "Chiptune Nobility" (CC BY 4.0), interludes by Aaron Kenny, "Yonder Hill and Dale" (CC0) Transcript and more information at https://codingcodices.wordpress.com/2023/03/02/episode-14-book-structures-and-fan-cultures/. Recorded 21 November 2022. Edited by Aylin Malcolm.

Episode 13: Accessibility

In this episode, Aylin, Hannah, James, and Seb discuss a recent article by Emily C. Francomano and Heather Bamford and the questions it raises about the accessibility of digital resources for medieval studies. Music credits: Intro/outro music by TeknoAXE, "Chiptune Nobility" (CC by 4.0), interludes by Random Mind, "The Bard's Tale" (CC0) Transcript and more information at https://codingcodices.wordpress.com/2023/01/13/episode-13-accessibility/. Recorded 12 December 2022. Edited by Aylin Malcolm.

Episode 12: Public Digital Humanities

Dr. Margaret Smith from the IRIS Center (Southern Illinois University Edwardsville) speaks about her projects focused on bridging gaps between DH studies and the St. Louis community. Her digital medieval work, Submission Strategies, maps, the spatial and social networks captured in the Irish submissions to Richard II, using these and contemporary materials to create a rich and nuanced depiction of the alliances, hostilities, and spheres of influence that shaped the interconnected social networks of England and Ireland. Music credits: Intro/outro music by TeknoAXE, "Chiptune Nobility" (CC by 4.0), interludes by Random Mind, "Market Day" (CC0) Transcript and more information at https://codingcodices.wordpress.com/2022/05/06/episode-12-public-digital-humanities/. Recorded 12 April 2022. Edited by James Harr.

Episode 11: Multispectral Imaging

In this episode Katie Albers-Morris, Helen Davies, and Alex Zawacki talk about recovering palimpsests and erased texts with multispectral imaging. All three are, or have been, PhD candidates at the Lazarus project at the University of Rochester, an initiative that was designed with the educational purpose of training students in the field of multispectral imaging and image processing techniques for cultural heritage objects. During the episode we discuss MSI in general, their experiences as (grad) students and program coordinators at the Lazarus project, MSI in the classroom, and the challenges of dissertation projects in the digital humanities. Transcript and more information at https://codingcodices.wordpress.com/2022/03/04/episode-11-multispectral-imaging/. Music credits: theme music: TeknoAXE, “Chiptune Nobility” (CC BY 4.0); interludes: Random Mind, King’s Feast” (CC0). Recorded 2 August 2021. Produced and edited by Hannah Busch (@cesare_blanc).

Episode 10: Medieval Books and Modern Labor

Caitlin Postal and Bridget Whearty discuss labor ethics in digital medieval studies, manuscript digitization processes, and Bridget's forthcoming book, Digital Codicology. Bridget Whearty is an Assistant Professor at Binghamton University. She is the creator of the Caswell Test, named after and inspired by the work of Michelle Caswell (#CaswellTest) and co-editor for the special issue of Archive Journal dedicated to Digital Medieval Manuscript Cultures. Her first book, Digital Codicology: Medieval Books and Modern Labor, is forthcoming from Stanford University Press's Text Technologies series. Find Bridget on Twitter @BridgetWhearty. Transcript and more information at https://codingcodices.wordpress.com/2022/02/04/episode-10-medieval-books-and-modern-labor/. Music credits: theme music: TeknoAXE, “Chiptune Nobility” (CC BY 4.0); interludes: Curran Son, "The Red Fox Tavern." Recorded 21 October 2021. Produced and edited by Caitlin Postal (@goingpostale).