Bill talks to author and film critic Jonathan Rosenbaum about some of his
many endeavors in film culture, including books like MOVING PLACES and
MOVIE WARS, his tenure as principal film reviewer at the Chicago Reader,
and his involvement in multiple Orson Welles-related projects, ranging from
THIS IS ORSON WELLES to THE OTHER SIDE OF THE WIND. Other topics include:
Critical interactivity, identity politics in film criticism, André Téchiné,
film culture in New York and Paris in the late '60s, confusing Art with
Class, audio commentaries, TWIN PEAKS, hate mail, film festivals and how
plagiarism can be a positive thing if your ideas are important.
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