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Join Ads Marketplace to earn through podcast sponsorships.
Manage your ads with dynamic ad insertion capability.
Monetize with Apple Podcasts Subscriptions via Podbean.
Earn rewards and recurring income from Fan Club membership.
Get the answers and support you need.
Resources and guides to launch, grow, and monetize podcast.
Stay updated with the latest podcasting tips and trends.
Check out our newest and recently released features!
Podcast interviews, best practices, and helpful tips.
The step-by-step guide to start your own podcast.
Create the best live podcast and engage your audience.
Tips on making the decision to monetize your podcast.
The best ways to get more eyes and ears on your podcast.
Everything you need to know about podcast advertising.
The ultimate guide to recording a podcast on your phone.
Steps to set up and use group recording in the Podbean app.
For this episode, I spoke with Enno Poppe. At the moment of recording, I am doing his piece Speicher with Klangforum Wien. We speak about deciding what ideas you want to put in a piece, Enno's love of idiomatic material and his close relationship to players, which is so important for the way he writes. We speak about the different roles we can have: in the case of Enno, he is not only a composer, but also a conductor, a player, and, of course, also sometimes audience. How does his persona change when his role changes? Is a conductor a different person?
The music you hear is:
Enno Poppe - Speicher (Klangforum Wien, Enno Poppe)
https://www.youtube.com/watch?v=zR_43dJWjFw
Enno Poppe - Augen (Sara Maria Sun, WDR Symphony Orchestra, Bas Wiegers)
https://www.youtube.com/watch?v=HkiG3uWah1s
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