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Join Ads Marketplace to earn through podcast sponsorships.
Manage your ads with dynamic ad insertion capability.
Monetize with Apple Podcasts Subscriptions via Podbean.
Earn rewards and recurring income from Fan Club membership.
Get the answers and support you need.
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Stay updated with the latest podcasting tips and trends.
Check out our newest and recently released features!
Podcast interviews, best practices, and helpful tips.
The step-by-step guide to start your own podcast.
Create the best live podcast and engage your audience.
Tips on making the decision to monetize your podcast.
The best ways to get more eyes and ears on your podcast.
Everything you need to know about podcast advertising.
The ultimate guide to recording a podcast on your phone.
Steps to set up and use group recording in the Podbean app.
Released on the occasion of the film’s inclusion in the 2024 Whitney Biennial, this episode of On Production looks back at the creation of artist Clarissa Tossin’s Mojo’q che b’ixan ri ixkanulab’ / Antes de que los Volcanes Canten / Before the Volcanoes Sing at EMPAC, which took place over the course of a three-year period. EMPAC’s Video Engineer Ryan Jenkins talks with artist Clarissa Tossin and her Director of Photography Jeremy Glaholt about the process of producing the project. They discuss elements of the cinematography; the creation of set elements such as a reflective pool used in the film; and the technical and creative challenges of shifting from a small studio practice to working with a large crew.
Mojo’q che b’ixan ri ixkanulab’ / Antes de que los Volcanes Canten / Before the Volcanoes Sing takes a sonic approach to the articulation of architectural borrowings by Western architects of indigenous cultural motifs, utilizing 3D-printed replicas of Maya wind instruments from Pre-Columbian collections held in US and Guatemalan museums.
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