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TIH 524: Josh Malerman on The Early Years on The Road, Living Off $10 Per Day, The High Strung, and The Hall of Fame Van Story
TIH 523: Keith Rosson on Fever House, Writing Violence, and Writing Routine
TIH 522: Sadie Hartmann on The Last 20 Years of Horror Fiction, Ghosts, and Chapter Lengths
TIH 521: Sadie Hartmann ‘Mother Horror’ on 101 Horror Books to Read Before You’re Murdered, Future Projects, and Horror Fiction Subgenres
TIH 520: Stephanie Parent on The Briars, Working in a Haunted Dungeon, and Haunted Houses
TIH 519: Stephanie Parent on First Experiences with Stories, Pantsing vs. Plotting, and Early Life Lessons
TIH 518 This Is Horror Awards 2021 with Stephen Graham Jones, Eric LaRocca, Gemma Files, Ellen Datlow, Wendy Wagner, Jon Padgett, Cam Collins, Steve Shell, and Neil McRobert
TIH 517: Nick Cutter and Andrew F. Sullivan on The Handyman Method, Successful Collaborations, and Story Pacing
TIH 516: Eric LaRocca on Why He Wrote Everything the Darkness Eats, Split Narratives, and Controversial Scenes
TIH 515: Eric LaRocca on Everything the Darkness Eats, Writing Authentically, and Managing Writing Expectations
TIH 514: Dean Koontz on After Death, Suspense, Horror, and Science Fiction Labels, and His Unique Writing Voice
TIH 513: Josh Malerman on Egorov, Doug and Judy Buy the House Washer, and The Jupiter Drop
TIH 512: Josh Malerman on Half The House is Haunted, Argyle, and Samhattan
TIH 511: Josh Malerman on Writing Routine, Writing A Novel Documentary, and A Ben Evans Film
TIH 510: Ai Jiang on Linghun, I Am AI, and What Makes Us Human
TIH 509: Ai Jiang on Early Life Lessons, Defining Success and Failure, and Being Chinese-Canadian
[Preview] SU 016 Something in the Dirt with Gemma Files
TIH 508: Craig Clevenger on The Aftermath of Violence, Transgressive Fiction, and Post-Pandemic Book Releases
TIH 507: Craig Clevenger on Mother Howl, Writing in the Third Person, and Writing Dialogue
TIH 506: Glen Mazzara on The Shield, LA, and WGA Strike Action
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