This week, we examine four of the Best Picture Oscar-nominated films—“Call Me By Your Name”, “Get Out”, “Shape of Water”, and “Phantom Thread”—to ask whether we are entering a new phase of romance films. By diverging from conventional norms and stereotypes, these films have created on-screen relationships that are reminiscent of our own relationships. We then look to the history of romantic dramas and comedies to see how this new version of romance-on-screen came to be and what it potentially communicates about the way men and women are relating to one another.
Discussed this week:
“Why the Trump administration's new SNAP proposal is hard to swallow” (Devra First, Boston Globe)
Janelle Monae - Make Me Feel
Maybe It’s You - The Friend Zone Podcast
The Shape of Water (Fox Searchlight Pictures)
Phantom Thread (Focus Features)
Get Out (Universal Pictures)
Call Me By Your Name (Sony Pictures Classics)
“Luca Guadagnino Had a Good Reason for Not Showing the Sex Scene in ‘Call Me By Your Name’” (Jude Dry, Indiewire)
Gone With the Wind (Loew’s Inc.)
Beyond Borders (Paramount Pictures)
The English Patient (Miramax Films)
Blade Runner 2049 (Warner Bros. Pictures)
Ingrid Goes West (Neon)
Wonder Woman (Warner Bros. Pictures)
Thelma (SF Studios)
Leap Year (Universal Pictures)
Pillow Talk (Universal-International)
We Wouldn't Leave Kanye, But Should We?
We're Here For Your Anger, Jessica Walter
We’re Queer - and Apparently So Is Everybody Else
We Unpack Black Male Privilege
We Watch Whiteness
We Talk BeyChella
We Get It On (With Ourselves)
We Celebrate the REAL MLK Day
We’re Maxed Out, You’re Maxed Out, Everybody Is Maxed Out
We Love Aunties
We Don’t Love Everything Made By Black People and That’s OK?
We Paint the Town Obama
We Take the 15:17 All the Way to Pyeongchang
We Sink Our Claws Into "Black Panther" with Ta-Nehisi Coates
We'll See You Tomorrow
We Don't Know Where We Are
We're Still Here For Janet
We Have a Right To Be Mad
We Have a Theory About Oprah
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The Modern West
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The Ezra Klein Show
Dear Sugars
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