VOIVOD GOES PSYCH-PROG! Third time's a charm with returning guest Mhyk Monroe (Grief Ritual, FATHERS). This week we dive into Voivod's confusing fifth album. Just how subtle are the distinctions between various subgenres of metal? How is a song about a pirate ship somehow less silly than previous albums' lyrics? Why are Men Without Hats involved in this, and are they dancing unsafely? Do French-Canadians need nicknames to make it in the world of metal? How difficult are these songs? Is this more psychedelic or progressive? Does hiring Rush's producer automatically make you prog? And what happened to Richard Hell? Find out on the fiftieth episode of Detours and Outliers!
Sinead O’Connor’s “Throw Down Your Arms”
Glenn Danzig’s “Black Aria” (with Don White)
Dread Zeppelin’s “It’s Not Unusual”
Steve Miller’s “Born 2B Blue”
The Beach Boys’ “Summer In Paradise”
The Beach Boys’ “Love You”
Keith Moon’s “Two Sides Of The Moon” (with Kasey Elkington)
Dee Dee King’s “Standing In The Spotlight”
Lou Reed & Metallica’s “Lulu”
Van Halen’s “III”
Kid Cudi’s “Speedin’ Bullet 2 Heaven” (with Brian Heim)
X’s “Ain’t Love Grand” (with Jenny and Michael Seman)
Lil Wayne’s “Rebirth” (with Bryson Worden)
Chris Cornell’s “Scream” (with Aaron Schilling)
Bruce Springsteen’s “Nebraska” (with Karl Christian Kumpholz)
Village People’s “Renaissance” (with Katie Bowman)
Moby’s “Animal Rights” (with Alf)
Joni Mitchell’s “Both Sides Now” (with Aleeya Wilson)
Neil Young’s “Everybody’s Rockin’”
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