KEITH MOON GOES SOLO! Kasey Elkington from Cattle Axe rejoins us to discuss Keith Moon's one and only solo album. The question here isn't The Who, but the why. Why did Keith make a solo album? Why can't you hear Keith on his own album? Why did the record company give him so much money? Why doesn't Keith play drums more on this? Why does Miguel Ferrer play drums on this at all? Why is there a country song in the middle of this? Why were the seventies obsessed with the fifties? Why is there a deluxe reissue of this album with dozens of bonus tracks? Why can't you find this on Spotify now? Why isn't John Entwistle on this album? Why is Dick Dale? The answer to most of these questions is "Brandy Alexanders" on this episode of Detours and Outliers.
Sinead O’Connor’s “Throw Down Your Arms”
Glenn Danzig’s “Black Aria” (with Don White)
Dread Zeppelin’s “It’s Not Unusual”
Steve Miller’s “Born 2B Blue”
The Beach Boys’ “Summer In Paradise”
The Beach Boys’ “Love You”
Dee Dee King’s “Standing In The Spotlight”
Lou Reed & Metallica’s “Lulu”
Van Halen’s “III”
Voivod’s “Angel Rat” (with Mhyk Monroe)
Kid Cudi’s “Speedin’ Bullet 2 Heaven” (with Brian Heim)
X’s “Ain’t Love Grand” (with Jenny and Michael Seman)
Lil Wayne’s “Rebirth” (with Bryson Worden)
Chris Cornell’s “Scream” (with Aaron Schilling)
Bruce Springsteen’s “Nebraska” (with Karl Christian Kumpholz)
Village People’s “Renaissance” (with Katie Bowman)
Moby’s “Animal Rights” (with Alf)
Joni Mitchell’s “Both Sides Now” (with Aleeya Wilson)
Neil Young’s “Everybody’s Rockin’”
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