This episode explores Williams' writing for non-tuned percussion, particularly in his cue "The Quidditch Match" from Harry Potter and the Philosopher's Stone. We look at how John Williams uses percussion in ways you might not expect, and which adds a lot more dynamism and interest to his more bombastic cues.
To join the list for bonus composing content, you can visit this link: https://www.insidethescore.com/composers
The Making Of An Epic Orchestral Adventure - Time Machine
The "Big One" to Focus On (Beginner or Advanced)
How To Actually Develop A Musical Style
Help me to Design a Composer Workshop
How Memorizing Music Will Transform Your Composing
How to Actually *Learn* Composing - Composition Pedagogy with David Conte
The Five Phases of Composing
John Williams' Orchestration in Harry Potter, 'Leaving Hogwarts'
Stuck in a 4-Chord Loop? Here's Why Your Beginning Matters
My Composing Process: The Creative Phase
My Composing Process and Tools
Why You Should Compose Every Day
The Making of Spielberg's West Side Story - with Matt Sullivan
How Beethoven Develops a Theme - What We Can Learn From His First Piano Sonata
Music Editing in Hollywood Films - with Sebastian Zuleta
How Fast Do You Need to Write Music?
Your Worst Addiction - Why You Have No Time to Write
How to Analyse a Score - Don Davis' The Matrix
What Instruments Should I Write For, As A Beginner?
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