This episode explains how valuable it is to "learn from the masters". I spent last night transcribing a track from one of my favourite film scores; in the latter half of this episode, I show you what John Williams' music sounds like with and without some subtle, but crucial elements of orchestration.
Make sure to join the list if you want a say in our upcoming composing course: https://www.insidethescore.com/composers
The Making Of An Epic Orchestral Adventure - Time Machine
The "Big One" to Focus On (Beginner or Advanced)
How To Actually Develop A Musical Style
Help me to Design a Composer Workshop
How Memorizing Music Will Transform Your Composing
How to Actually *Learn* Composing - Composition Pedagogy with David Conte
How John Williams Writes for Percussion (Not What You'd Expect)
The Five Phases of Composing
Stuck in a 4-Chord Loop? Here's Why Your Beginning Matters
My Composing Process: The Creative Phase
My Composing Process and Tools
Why You Should Compose Every Day
The Making of Spielberg's West Side Story - with Matt Sullivan
How Beethoven Develops a Theme - What We Can Learn From His First Piano Sonata
Music Editing in Hollywood Films - with Sebastian Zuleta
How Fast Do You Need to Write Music?
Your Worst Addiction - Why You Have No Time to Write
How to Analyse a Score - Don Davis' The Matrix
What Instruments Should I Write For, As A Beginner?
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