Follow along as Jon and Andy do a hard-target search of James Newton Howard’s score to the 1993 man-on-the-run thriller The Fugitive. How do this film and its music match this cultural moment? What technical rule does Howard break, and why doesn’t it matter? And, wait a minute, does this plot actually make any sense?
Comments (3)
More Episodes
All Episodes>>You may also like
Get this podcast on your phone, Free
Create Your Podcast In Minutes
- Full-featured podcast site
- Unlimited storage and bandwidth
- Comprehensive podcast stats
- Distribute to Apple Podcasts, Spotify, and more
- Make money with your podcast
It is Free
