Max’s purposefully made sure that the first time he played Miranda Lambert’s songs were at his audition to play with her. Max intentionally steers clear from promoting many of his career highlights on the internet. At first glance, some of Max’s advice might seem to come out of left field, but trust me, he ain’t crazy.
Lessons Learned after 26+ Years of Touring | Brian Frasier-Moore, Drummer for Justin Timberlake
What to Look for in a Great Mentor | Ben Bradley, Drummer for Brett Kissel
The Reality of Getting Paid as a Drummer | Kevin Murphy, Drummer for Tonic, Jon Pardi, Randy Houser | Pt 2
Is Country the New Rock? | Kevin Murphy, Drummer for Tonic, Jon Pardi, Randy Houser | Pt 1
Maintaining Relationships With Your Artists | Jeremy Kleynhans
How To Deal With Being the New Guy | Alex Torjussen, drummer for Niall Horan
Drumming in a Comedy Show | Elie Bertrand
Key Concepts for Building a Niche Brand | Ramy Antoun, Founder of A&F Drum Co
Building Your Music Career Backwards Pt. 1 | G. Maxwell Zemanovic, Drummer for Miranda Lambert
Cymbal Design & Innovation | Paul Francis, Director of Cymbal Innovation at Zildjian
Playing For a Rapidly Growing Artist | Rhett Noland, Drummer for NF
Performing With Truth | Gerry Morgan, Drummer for James Bay
Approaching Drums as a Multi-Instrumentalist | Robbie Crowell, Drummer for Midland
How Touring Can Make You a Better Person | Nikki Glaspie
Business Insights for Touring Drummers | Sahir Hanif, Masters of Maple Drums
How a Career Develops over Twenty Years with the Same Band | Riley Breckenridge
Becoming Your Own Drum Tech | Kenny Sharretts
Why Drummers Need to Know the Lyrics | Brook Alexander, Drummer for Julia Michaels
Surgical Listening VS Big Picture Listening | Dylan Wissing
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