Dylan specializes in drumming in recording real drums for hip-hop, pop, and anything that needs really specific sounds. He walks us through why it took over 2 days to find the perfect sounds for a 6 note loop for Girl On Fire, by Alicia Keys.
Lessons Learned after 26+ Years of Touring | Brian Frasier-Moore, Drummer for Justin Timberlake
What to Look for in a Great Mentor | Ben Bradley, Drummer for Brett Kissel
The Reality of Getting Paid as a Drummer | Kevin Murphy, Drummer for Tonic, Jon Pardi, Randy Houser | Pt 2
Is Country the New Rock? | Kevin Murphy, Drummer for Tonic, Jon Pardi, Randy Houser | Pt 1
Maintaining Relationships With Your Artists | Jeremy Kleynhans
How To Deal With Being the New Guy | Alex Torjussen, drummer for Niall Horan
Drumming in a Comedy Show | Elie Bertrand
Key Concepts for Building a Niche Brand | Ramy Antoun, Founder of A&F Drum Co
Building Your Music Career Backwards Pt. 2 | G. Maxwell Zemanovic, Drummer for Miranda Lambert
Building Your Music Career Backwards Pt. 1 | G. Maxwell Zemanovic, Drummer for Miranda Lambert
Cymbal Design & Innovation | Paul Francis, Director of Cymbal Innovation at Zildjian
Playing For a Rapidly Growing Artist | Rhett Noland, Drummer for NF
Performing With Truth | Gerry Morgan, Drummer for James Bay
Approaching Drums as a Multi-Instrumentalist | Robbie Crowell, Drummer for Midland
How Touring Can Make You a Better Person | Nikki Glaspie
Business Insights for Touring Drummers | Sahir Hanif, Masters of Maple Drums
How a Career Develops over Twenty Years with the Same Band | Riley Breckenridge
Becoming Your Own Drum Tech | Kenny Sharretts
Why Drummers Need to Know the Lyrics | Brook Alexander, Drummer for Julia Michaels
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